Greece: Painted by John Fulleylove; described by J.A. McClymontM'Clymont, J. A. (James Alexander)
History
Greece: Painted by John Fulleylove; described by J.A. McClymont
M'Clymont, J. A. (James Alexander)
Athens (Greece); Greece -- Antiquities; Greece -- Description and travel
Equally groundless was the notion that the issue of translations was
part of a scheme to which the Queen (a Russian princess) was supposed to
be accessory, for the purpose of playing into the hands of the Russians
in Macedonia, by leading the Greek population to surrender their
birthright as the lawful heirs of the New Testament. To understand this
suspicion we must remember that the Greeks had long prided themselves on
the fact that they and they alone could read the very words of the New
Testament in their own tongue, and they were afraid that they would
forfeit this distinction and be reduced to a level with their Slavonic
neighbours, if the need for a translation were admitted.[9]
However inconsistent it may seem, this attachment to the Greek of the
New Testament is only another phase of the same pride of ancestry that
is seen in the straining after classical Greek.[10] The desire to pose
before the world as the descendants of the nation which produced Homer
and Æschylus and Pericles and Plato and Demosthenes has led them to
sacrifice in some measure the real interests of the nation to the
glamour of a remote and glorious past. Just as they have been ashamed of
some mediæval monuments which reminded them of humiliating epochs in
their history, so they have tried to get rid of words and forms which
bore the stamp of foreign ascendency. But such affectation cannot alter
facts, and is bad for the _morale_ of a nation. The pride of birth, when
carried to excess, may hurt the character of a people no less than of an
individual, and foster a theatrical and pretentious spirit. It is easy
to see that in the education of the young it cannot be favourable to
vigour or spontaneity of thought if the pupil is denied the use of the
words to which he has been accustomed from his earliest years. With such
a discord between experience and expression, it is no wonder that the
Greek people have produced so little native literature during the last
two thousand years, and that they are so largely dependent at the
present time on foreign authorship, especially Russian, English, and
French. The loss sustained in almost all the practical departments of
the national life, both sacred and secular, is alleged to be scarcely
less serious. It can hardly be otherwise, indeed, if the language
employed in public documents is only partially or with difficulty
understood by a large proportion of the people for whom it is intended.
Moreover, it cannot be good for the nation to be divided, intellectually
speaking, into two more or less antagonistic camps, corresponding
roughly to the educated and the uneducated.
Public-domain text, read in full here on John Shaqi.
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