Greece: Painted by John Fulleylove; described by J.A. McClymontM'Clymont, J. A. (James Alexander)
History
Greece: Painted by John Fulleylove; described by J.A. McClymont
M'Clymont, J. A. (James Alexander)
Athens (Greece); Greece -- Antiquities; Greece -- Description and travel
Of recent years there have been signs of a strong reaction. Largely
owing to the ability and zeal of Professor Psichari, a son-in-law of the
late M. Renan, the Atticising tendency is not nearly so prevalent as it
was twenty years ago, and a considerable native literature is now making
its appearance not only in poetry (in which it has always been strong)
but also in novels, dramas, journals, newspapers, and even in the
publication of grammars. This literature is no longer confined, as it
used to be, with few exceptions, to the Ionian Islands (where Salomos of
Zanté and Valaoritis of Leucas sang) and Crete (where Cornaro, of
Venetian extraction, produced his great epic _Erotokritos_, which
procured for him the title of the “Homer of the People”). Even
Constantinople is beginning to breathe the new spirit; and there is
reason to hope that a compromise between the two extremes may yet be
effected, by which the nation may realise its essential unity amid
diversity, remaining true to its illustrious ancestry, without ignoring
or suppressing the other elements--Roman, Byzantine, Turkish--which have
contributed to its development. Its scholars are beginning to see that
the idea of classical Greek ever becoming a universal language for men
of culture is a vain dream, and that a nation’s speech, like its life,
must undergo continual modification. Such modification, though it may
appear to the pedant to be corruption, is evolution to the philosopher
and man of sense. The history of the Russian and Czech languages, which
have adapted themselves to literary purposes with such success during
the last two hundred years, encourages the hope that the language now
spoken by the common people of Greece may go through a similar process
of development, borrowing from the ancient Greek what it requires in
order to meet the needs of science and philosophy, while holding its
ground as the essential basis of the national speech.[11]
Akin to this controversy is the question as to the proper pronunciation
of Greek. So different is the pronunciation now current among the Greeks
from that which is in vogue in this country that, even without any
difference in vocabulary or grammar, a Western scholar trained in the
Erasmian system would find the greatest difficulty in understanding or
making himself
[Illustration: THE STADION AT ATHENS
The line of sight is in the direction of the axis of the Stadion. The
hills sloping right and left show the line of the seats for spectators.
The stones projecting from the side of the hill to the left are part of
the masonry which faced the eastern limb of the Stadion on its southern
side. In the foreground is the modern bridge over the Ilissus leading to
the Stadion.]
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