Greece: Painted by John Fulleylove; described by J.A. McClymontM'Clymont, J. A. (James Alexander)
History
Greece: Painted by John Fulleylove; described by J.A. McClymont
M'Clymont, J. A. (James Alexander)
Athens (Greece); Greece -- Antiquities; Greece -- Description and travel
After passing Crisa, almost
the only signs of life we saw on the way were flocks of black goats with
their tinkling bells, and a long string of heavy-laden camels, with
their young ones running by their side, moving along in solemn
procession from the east.
As we approached Delphi, the view presented sterner outlines and a wider
range, embracing the dales and gorges of the Pleistus valley, and the
rugged hills of Cirphis on the south, as well as the mighty range of
Parnassus, with its outlying spurs and precipices. Of these the most
remarkable and the most celebrated are the Phædriadæ or shining peaks,
overshadowing the ancient sanctuary of Apollo, which was for centuries
the religious centre of the Greek world, as the Vatican was to mediæval
Christendom. The world-wide influence exerted by the Delphian oracle is
one of the most interesting facts in all history. It was characteristic
of the Hellenic as compared with the Hebrew mind that the oracle should
hold such a prominent place in the national religion: for it was a
religion dominated by the imagination rather than the conscience. At the
same time it should not be forgotten that, until its decadence, the
oracle was more frequently consulted
[Illustration: DELPHI FROM ITEA
This drawing indicates in a general way the position of Delphi with
regard to the plain of Cirrha below and the snowclad summit of Parnassos
above. On the left is the opening of the gorge of the Pleistos. Just
above where it disappears from view, to the right, the new village
called Delphi is visible on the slope of the mountain in front of the
great precipices of the Castalian Gorge. Ancient Delphi lies out of
sight in the hollow immediately behind the new village, and between it
and the Castalian cliffs.]
for guidance in the practical affairs of life than merely to gratify
curiosity as to future events. The Delphian oracle originated, no doubt,
in the superstitious awe which the place inspired as the supposed centre
of the earth, possessed of mysterious cavities by which it was believed
possible to hold communication with the dead. In the earliest times it
was connected with the worship of the earth-goddess Gæa or Gē, who
sheltered the dead in her bosom. Later, the presiding deity was Themis,
the goddess of law and order in the natural world. But during the whole
historical period Apollo was the source of inspiration, the god of light
and the highest interpreter of the divine will. During the three winter
months Dionysus reigned, in the absence of Apollo.
Public-domain text, read in full here on John Shaqi.
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