Greece: Painted by John Fulleylove; described by J.A. McClymontM'Clymont, J. A. (James Alexander)
History
Greece: Painted by John Fulleylove; described by J.A. McClymont
M'Clymont, J. A. (James Alexander)
Athens (Greece); Greece -- Antiquities; Greece -- Description and travel
Although associated, more than any other spot in Greece, with the
worship of the “father of gods and men,” Olympia seems originally to
have been devoted to the honour of his consort Hera, or possibly of
both. The oldest architectural remains within the enclosure are those of
a temple of Hera, to which Pausanias assigned an earlier date than we
can give to any other sacred ruin in Greece, namely, about 1096 B.C. Its
great antiquity is proved by the resemblance which it bears in some
respects to the architecture of Mycenæ, and also by the fact that the
existing columns (of which thirty-four out of the original forty have
been more or less preserved) were evidently preceded by columns of
wood, one of which, made of oak, was still standing when Pausanias
visited the place in the second century A.D. Wood seems to have been the
material in which the Doric architecture was originally executed; and in
this instance it was only as the wood of each column decayed that it was
replaced with stone, the natural result being that the columns differ
greatly from one another in thickness and style and the nature of their
stone. Some of them must have been substituted for the wooden ones as
early as the seventh century B.C., for their capitals are among the
oldest specimens of Doric architecture that are anywhere to be found.
Pausanias tells us that this temple contained rude images of both Zeus
and Hera; and not far from the spot a head has been discovered, twice as
large as life, which is supposed with great probability to belong to the
latter. It is believed to date from the seventh or sixth century B.C.,
and is made of the same soft stone as the base still remaining, which
could not have lasted so long unless it had been under cover. The eyes
are large, the head is crowned, and the face wears a look of
complacency, without much dignity or refinement. Hera seems to have had
much the same prominence in Olympia as she had in Argolis, where the
family of Pelops was also in the ascendant.
It was only gradually that Zeus obtained general recognition as the
chief deity in the court of Olympus, becoming the centre of the
Pan-Hellenic religion reflected in Homer, which was as powerful a bond
of union among the ancient Greeks as Christianity has
[Illustration: OLYMPIA. THE BASE OF THE KRONOS HILL, WITH THE REMAINS OF
THE TEMPLE OF HERA AND THE PHILIPPEION
At the foot of the hill, the columns of the north, south, and west sides
of the Heræon still _in situ_ are clearly shown, and also the cella wall
on the west and south. The remains of the Philippeion, a circular
building erected by Philip II. of Macedon (_circ._ 336 B.C.), are in the
foreground, to the west of the Heræon. The base of one of the Ionic
columns is in its place, and the marble steps which supported the
colonnade are connected by a slab of marble with the circular
sub-structure of the central mass of the building.]
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