Greece: Painted by John Fulleylove; described by J.A. McClymontM'Clymont, J. A. (James Alexander)
History
Greece: Painted by John Fulleylove; described by J.A. McClymont
M'Clymont, J. A. (James Alexander)
Athens (Greece); Greece -- Antiquities; Greece -- Description and travel
62. The Acropolis from the base of the Philopappus Hill 184
63. The lower part of the Auditorium of the Theatre of
Dionysos at Athens 188
64. The Cavern Chapel on the South Side of the Acropolis 190
65. The Choragic Monument of Lysicrates 194
66. The Pnyx; or Place of Assembly of the People 198
67. The Acropolis with Kallirrhoè in the Foreground 202
68. Athens. The Monument of Agrippa and the Pinacotheca 206
69. The Tower of the Winds 208
70. The Portico of Athena Archegetis 210
71. The Stoa of Hadrian 212
72. The Arch of Hadrian 216
73. Columns of the Temple of Olympian Zeus from the North-West 220
74. The Square in front of the King’s Palace at Athens 222
75. The Stadion at Athens 226
_Sketch Map at end of Volume._
_The Illustrations in this Volume have been engraved and printed in
England by The Hentschel Colourtype, Limited._
GREECE
INTRODUCTORY
More perhaps than any other country in Europe, Greece owes its charm to
the traditions of a remote past. It has no lack of fine scenery, and
there is much that is interesting in its modern life; but what chiefly
distinguishes it from other countries is the rich and beautiful
mythology which is reflected in its poetry, its art, and its philosophy,
and was to a large extent the inspiration of its glorious history.
It will not be expected that any attempt should be made in these pages
to give an adequate account of the artistic and architectural creations
which, even in their ruins, form the chief attraction of the country.
For detailed information on these matters, the reader must be left to
consult such guide-books as Baedeker and Murray, or works specially
devoted to archæology or art. The object of the present writer will be
attained if he succeed in providing a congenial intellectual atmosphere
for the scenes and objects to be presented by the artist. For this
purpose it will be necessary, among other things, to recall many of the
ancient legends, as well as the historical events associated with the
places referred to. The history cannot be understood apart from the
mythology, for the latter is a key to the religious faith as well as to
the patriotic sentiment of the nation.
Public-domain text, read in full here on John Shaqi.
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