Greece: Painted by John Fulleylove; described by J.A. McClymontM'Clymont, J. A. (James Alexander)
History
Greece: Painted by John Fulleylove; described by J.A. McClymont
M'Clymont, J. A. (James Alexander)
Athens (Greece); Greece -- Antiquities; Greece -- Description and travel
Its fine military position is guarded by rocky defiles. Its
watch-towers command every vale from which a land force could attack,
and every space of sea-coast that might reveal a pirate’s raid. It is
the very gate of the pass that leads from the plain of Argos to the
beach of Corinth, and to this day the train takes travellers past its
portals from Nauplia to the north-western gulf. Such land passages as
this, from one sea to another, were of the highest importance to
merchant-shipping in the old days of small light vessels, and continued
to be so until comparatively recent times. The riches of the barons of
Mycenæ were solely due to the fact that they could levy toll on passing
caravans of merchandise without fear of an overlord. It was to guard the
fortune thus amassed that the ramparts were constructed, which the
astonished
[Illustration: MYCENÆ, SHOWING THE SITE OF THE FAMOUS DISCOVERIES OF
SCHLIEMANN
The mass of so-called cyciopean masonry, on the right, buttresses the
upper part of the Acropolis of Mycenæ. The wall at right angles to it
contains the Lion Gate, and the large triangular stone above the lintel
is the back of the well-known relief of lions or lionesses _regardant_,
probably the most ancient piece of sculpture in Greece. In the
foreground is shown the singular double wall and gateway of the
enclosure, called by Schliemann the Agora, within which he found the
treasures of Mycenæan art now in the Central Museum in Athens.]
antiquarian (who could not see over them) describes as ‘built for the
love of building.’”
The modern traveller can hardly fail to be struck, as Thucydides was,
with the limited dimensions of a city which is said to have sent a
hundred ships to Troy, besides providing sixty for the Arcadians, while
Athens only sent fifty. But it is evident from the ruins that the city
was not confined within the walls; and, after all, the size of a city,
like that of a country, is not always a safe criterion of its wealth and
influence. According to Pausanias, the only genuine work of Hephæstus
that was to be seen in his day was the sceptre which that divine
artificer presented to Zeus, and which Zeus gave to Hermes, and Hermes
to Pelops, and Pelops to Atreus, and Atreus to his brother Thyestes, and
Thyestes to Agamemnon, that he might “have dominion over many islands
and over all Argos.”
Public-domain text, read in full here on John Shaqi.
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