Greece: Painted by John Fulleylove; described by J.A. McClymontM'Clymont, J. A. (James Alexander)
History
Greece: Painted by John Fulleylove; described by J.A. McClymont
M'Clymont, J. A. (James Alexander)
Athens (Greece); Greece -- Antiquities; Greece -- Description and travel
A still older and better preserved specimen of the Homeric citadel and
palace is to be seen at Tiryns, the fabled residence of Heracles, which
lies about a mile from the sea, near the marshy land in which the famous
steeds of Argos probably found pasture. It is situated on a long rocky
hillock, less than 100 feet above the level of the sea, which was no
doubt once an island, before the alluvial deposits from the mountain
sides had encroached so far on the domain of Poseidon. Its walls, to
which Homer alludes, form one of the most striking monuments of the
heroic age. They are in some places considerably over fifty feet thick,
and the stones of which they are composed are of great size, from six
to ten feet long, and about three feet in height and in thickness. But
though the stones are larger than those of Mycenæ they show more signs
of hewing, and were originally held together by clay mortar. In the
palace at the southern end, of which the ground plan can be distinctly
traced, one can recognise a general similarity to the Homeric palace. In
the chief entrance, which is evidently the archetype of the propylæa at
Athens, one can see the hole in the door-post and the adjoining wall,
into which the great wooden bar was shot when the door was open. After
passing through a spacious circular court with an altar of Zeus in the
centre, you enter through a portico into the chief apartment or hall.
Round the hearth in the centre stood the four pillars which supported
the roof. It was against one of these pillars that Odysseus was told he
would find the queen Areté sitting in the palace of Alcinous, spinning
purple wool in the light of the fire. You can also identify the
bathroom, with its solid limestone floor, and can even see a terra-cotta
fragment of the well-polished tubs referred to by the great minstrel,
with receptacles in the wall, probably intended for the oil which was
considered indispensable after the bath. Wall-paintings have also been
discovered and specimens of a frieze of a bluish colour, supposed to be
the _kuanos_ referred to in Homer as adorning the walls of the Phæacian
palace. With the exception of the lower parts, a few feet high, the
walls were evidently built of wood or clay, and appear to have been
destroyed
[Illustration: TIRYNS. THE GATE OF THE UPPER CASTLE
The gate post to the left (west) 10½ feet high, is complete, with the
rebate and the hole for the insertion of the strong bar to secure the
gate. Only half of the right (eastern) post remains. Over it we see the
massive outer rampart between the main gate and the gate of the Upper
Castle.]
by fire, of which the stone shows traces. At a lower level the
foundations of a still older building can be seen. Among other things
found among the ruins were many little figures of cows in terra-cotta,
supposed to have been connected with the worship of Hera, who is often
styled Cow-faced (_Bo-opis_) in Homer.
Public-domain text, read in full here on John Shaqi.
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