Greece: Painted by John Fulleylove; described by J.A. McClymontM'Clymont, J. A. (James Alexander)
History
Greece: Painted by John Fulleylove; described by J.A. McClymont
M'Clymont, J. A. (James Alexander)
Athens (Greece); Greece -- Antiquities; Greece -- Description and travel
rising out of the plain in the neighbourhood of Athens, including
Lycabettus, Areopagus, Pnyx, and Museum Hill. Though not nearly so high
as Lycabettus, the Acropolis was better fitted for defence, as it was
almost inaccessible from all sides except the west, and had a flat
summit of considerable extent. In itself it is not equal to the Castle
Rock of “modern Athens,” being only 150 feet high, 1150 long, and about
500 in breadth. But it is a far more striking object from many points of
view, partly owing to its position on a rising ground, partly because it
is crowned with the noble ruins of the Parthenon. Many traces still
remain of its original fortifications, which were of a Cyclopean
character, and were attributed to the Pelasgian race. This name, indeed,
survives in the Pelasgicon (otherwise called Pelargicon), an elaborate
outwork consisting of a series of terraced battlements with nine gates
(Enneapylon), of which some remains can still be made out. On the
eastern side there can also be seen the lower courses of a wall which
had been built to fill up a depression in the hill.
Although Attica is not much more than half the size of Cornwall, there
was a time when its inhabitants were divided into many different
communities, practically independent of each other. The city of Athens
was then confined to the Acropolis and a small extent of ground in its
immediate neighbourhood on the south-east. According to tradition it was
Theseus who welded together the various demes or townships into one
organised community under his single rule; and in commemoration of this
rare achievement in Greek history the festival of Synœcia long
continued to be celebrated. Theseus is mentioned both in the _Iliad_ and
the _Odyssey_, and his two sons fought in the Trojan war, yet it was not
he but his successor Menestheus who commanded the Athenian forces in the
war, owing to certain impieties committed by him which entailed upon him
the loss of his crown. No hero was credited with more wonderful
performances than Theseus both by land and sea, and even in the
underground world, though his efforts there were not so successful. His
most memorable exploit in the eyes of the Athenians was the destruction
of the Minotaur, a monster with the body of a man and the head of a
bull, which was kept at Knossus, the capital of the Cretan empire of
Minos, and to which Athens had to devote a sacrifice of seven youths and
seven maidens every nine years. When the time came round Theseus
volunteered to accompany the victims, in order to deliver them; and with
the help of Ariadne, the king’s daughter, who furnished him with a clue
to the labyrinth in which the monster was confined and a sword, he
succeeded in his perilous mission, and brought back his young companions
safe and sound. He had arranged with his father Ægeus that in that event
he would hoist a white sail instead of the usual black one; but
unfortunately he omitted to give the sign, and the aged king, who was
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