Greece: Painted by John Fulleylove; described by J.A. McClymontM'Clymont, J. A. (James Alexander)
History
Greece: Painted by John Fulleylove; described by J.A. McClymont
M'Clymont, J. A. (James Alexander)
Athens (Greece); Greece -- Antiquities; Greece -- Description and travel
looking out from the Acropolis, where the temple of Niké now stands,
being overcome with grief at the apparent failure of his son’s heroic
undertaking, threw himself down among the rocks and perished. According
to another version of the story, he was waiting on the shore and threw
himself into the sea. To commemorate the event embodied in this
tradition the Athenians were in the habit of sending a ship to Delos
every year to offer to Apollo a sacrifice of a less distressing nature.
During the month in which this took place, no public act was permitted
that was considered to be out of keeping with it, such as the execution
of a criminal; and it was owing to this that Socrates was so long
confined in prison after sentence of death had been passed upon him.
Theseus was believed to have given the Athenians his countenance and aid
at the battle of Marathon, and a few years afterwards they were
commanded by the Delphian oracle to bring back his bones from the island
of Scyros, where he had met a violent death. The injunction was obeyed
in 469 B.C. by Cimon, the son of Miltiades, who discovered a gigantic
skeleton, and brought it to Athens amid great rejoicing. It was then
reinterred in a sanctuary devoted to Theseus’ memory, which is often
mentioned by subsequent Greek writers, and afforded a refuge within its
spacious precincts to the poor and oppressed, whether bond or free, who
felt themselves to be in danger. Unfortunately the historical references
to this sanctuary, as well as the fact that it was in honour of a hero,
not of a god, forbid us to identify it with the noble Doric temple
standing between the Areopagus and the Agora or Market-place, which is
now commonly known as the Theseum. The probability is that the latter
building was a temple in honour of Hephæstus or of Hephæstus and
Athena. It is built of white Pentelic marble, with thirty-four columns
in all, the sculptures on it being of Parian marble, and is second only
to the Parthenon in majestic beauty. Traces of the bright red and blue
colouring, which was used even in the decoration of marble, can be
distinctly seen; and part of the coffered roof is still in position,
adorned with painted stars. During the Middle Ages it was turned into a
church dedicated to St. George, and it is doubtless owing to this cause
that it still survives in such an excellent state of preservation.
Public-domain text, read in full here on John Shaqi.
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