Greece: Painted by John Fulleylove; described by J.A. McClymontM'Clymont, J. A. (James Alexander)
History
Greece: Painted by John Fulleylove; described by J.A. McClymont
M'Clymont, J. A. (James Alexander)
Athens (Greece); Greece -- Antiquities; Greece -- Description and travel
He took refuge in the temple of
Athena _Chalciœcus_, on learning that a confidential slave had
betrayed him. The ephors immediately built up the doors and took off the
roof, keeping watch over the refugee, and carrying him out at the last
moment, that the sacred precinct might not be polluted by his death.
Both cases are curious illustrations of the way in which men will try at
times to evade their religious obligations without giving up their form
of godliness. The divine anger in the case of the Spartans was only
appeased by the dedication of two bronze statues to Athena in obedience
to the Delphian oracle.
On the break-up of the Athenian empire, after the battle of Ægospotami,
a remnant of the former Dorian
[Illustration: THE TEMPLE OF ATHENA ON THE ISLAND OF ÆGINA
The Temple, which is magnificently situated on the top of one of the
hills near Mount Elias, in the southern part of the island, looks
eastward towards Cape Colonna, over the blue waters of the Saronic Gulf.
The coast seen above the sea is part of the west coast of Attica running
down to Sunium. The drawing includes five out of the six columns of the
east front of the Temple, and five out of the twelve columns of the
north side, also two columns of the _pronaos_, together with the
architraves. These columns are of limestone, still partly covered with
their marble stucco.]
inhabitants of Ægina was brought back by the Spartans, and the Athenian
settlers were expelled. But in spite of the occasional success of their
naval strategy, by which they took the Piræus once or twice completely
by surprise, the Æginetans never recovered any considerable degree of
their former prosperity.
At the present day the chief attraction which Ægina has to offer to the
traveller, over and above the pleasant sail from the Piræus, with its
interesting points of view, is a Doric temple of the sixth century or
even earlier, standing in solitary grandeur, on the summit of a hill
which commands a beautiful view of the plain of Attica on the north and
the Argolic peninsula on the west. It was once thought to be the temple
of Zeus described by Pausanias, but latterly it has been identified as
the temple of Athena mentioned by Herodotus. Within the last few years,
however, a new theory has been put forth by Professor Fürtwangler, who
holds it to be the temple of Aphæa mentioned by Pausanias, a goddess
nearly related to Artemis as a protector of women. In any case the
twenty columns still standing form an imposing monument, and are well
worthy of a visit, though the sculptures on the pediments are no longer
to be seen, having been purchased by the King of Bavaria and deposited
in the museum at Munich.
CHAPTER IX
ATHENS AND ITS GODDESS
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