Greece: Painted by John Fulleylove; described by J.A. McClymontM'Clymont, J. A. (James Alexander)
History
Greece: Painted by John Fulleylove; described by J.A. McClymont
M'Clymont, J. A. (James Alexander)
Athens (Greece); Greece -- Antiquities; Greece -- Description and travel
Among the influences which contributed to the greatness and glory of
Athens the worship of the goddess Athena must be assigned a principal
place. In her fully developed character she represented the highest
ideal of the Greek mind, and formed the noblest figure in the Greek
pantheon. She may be described as the impersonation of wisdom, courage,
and energy--equally powerful as the patron goddess of the arts of peace
and of the exploits of war. The mythical account of her birth, which
represented her as sprung from the head of Zeus after he had swallowed
her mother _Metis_ (“Counsel”), betokened her affinity with the highest
faculties of the supreme Ruler; and in harmony with this is the etherial
nature which was commonly ascribed to her by Homer and other early
writers. Her home was supposed to be in the upper regions, the ether
being regarded as her proper element. Hence the clearness and brightness
which were commonly attributed to her, as well as the keen, rapid,
energetic character by which she was also distinguished.
[Illustration: VISTA OF THE NORTHERN PERISTYLE OF THE PARTHENON, LOOKING
WESTWARD
Out of the seventeen columns of the northern peristyle the remains of
fourteen, more or less perfect, may be counted on the right. Six of
them, which have stood unmoved for more than twenty-two centuries, are
distinguished by their splendid colour, almost matching in this respect
the second column of the west front, which is also visible. The remains
of the north _cella_ wall are seen to the left. The two drums of columns
in shadow in the foreground reflect the pure blue of the early morning
sky. Over their tops may be seen part of the Propylæa, and the mountains
of Daphni and Megara.]
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