It is unnecessary to consider in detail the confused and lifeless
descriptions of these events, but a word must be said of the events
themselves. The combat between armed men is depicted on a sixth-century
sarcophagus from Clazomenae, now in the British Museum (Fig. 2).[12]
Here, among chariots in full course, or preparing for the race, we see
pairs of warriors fighting. They are armed with helmet, spear, and
shield, and between each pair stands a youth playing the pipes to show
the nature of the fight. At either end stands a pillar bearing a bowl
for the prize, while against the pillar rests a naked figure leaning
dejectedly upon a staff, the spirit apparently of the dead man in whose
honour the games were held. The armed combat was alien, however, to the
spirit of the Greeks; we hear of it, indeed, in later times at Mantinea
and at Cyrene, but it found no place in any of the great Greek
festivals.[13] It was probably connected exclusively with funeral rites,
a substitute for human sacrifices. In the earlier part of the book
Achilles slays twelve Trojan captives upon the pyre of his friend; in
the latter part armed warriors fight in his honour. The one scene is but
the later doublet of the other.
The description of the archery competition is simply ludicrous. The
first prize is for the man who hits a dove fastened by a cord to the top
of a mast, while the second prize is for the man who performs the
infinitely harder feat of severing the cord. The choice of ten double
axes for the first prize and ten single axes for second suspiciously
suggests a reminiscence of the more serious competition with Odysseus’
bow in the _Odyssey_, where the twelve axe-heads to be shot for are part
of the treasures that Odysseus had once won as prizes.[14] In the
_Odyssey_ the bow holds an honourable place, but in the _Iliad_, though
a few heroes are famed for their skill in archery, the bow is rather the
weapon of the soldiery, and especially of the Trojans, and skill with it
is regarded by the Achaean noble who fought in his chariot with the same
not unnatural dislike and contempt, not unmingled with fear, as it was
by the chivalry of France in the days of Agincourt.[15]
Public-domain text, read in full here on John Shaqi.
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