At Delphi, the Isthmus, and Nemea, local festivals and competitions had
long existed.[72] The oracle of Delphi had already acquired a
Panhellenic, almost a cosmopolitan importance, rivalling that of
Olympia. The Pythian festival was said to have been founded to
commemorate Apollo’s victory over the Python. To expiate the death of
the dragon, Apollo had been condemned to nine years of exile, and the
festival was therefore held every ninth year, or, according to our
reckoning, once in eight years. Later legend asserted that there had
been athletic games at Delphi, and various heroes were named as victors
in these sports. But it seems probable that the original competitions at
Delphi were purely musical, and in the hymn for Apollo Delphusa
expressly commends Delphi as the home for the god on the ground that
there his altar will be undisturbed by the “whirling of fair chariots or
the sound of swift-footed steeds.” The innate ambition of the Greek and
his desire to outshine his fellows found vent in competitions of every
sort. Musical competitions were specially connected with the worship of
Apollo at Delos and at Sparta; at Delphi a prize was given for a hymn to
Apollo chanted to the accompaniment of the cithara.
Such the festival remained till the outbreak of the first Sacred war.
The war was due to the impious conduct of the Crisaeans, who, having
command of the plain and the harbour of Cirrha, had enriched themselves
at the expense of the Delphians and Apollo, by levying exorbitant tolls
on the pilgrims who landed at Cirrha on their way to the oracle. The
Delphians appealed to their natural protectors, the Amphictyonic League
at Thermopylae, who straightway proclaimed a sacred war. The command of
the expedition was given to the Thessalian Eurylochus; the Athenians, on
the advice of Solon, sent a contingent under Alcmaeon, while
Cleisthenes, the ambitious tyrant of Sicyon, eagerly embraced the
opportunity of posing as a champion of Greek religion. The festival was
restored and reorganized in 590 B.C. New musical events were added, a
solo on the flute and a song accompanied by the flute; athletic and
equestrian competitions also were introduced on the model of those at
Olympia; but since Delphi as yet had no stadium, the games were held in
the plain of Crisa below. The chariot-race for some reason or other was
omitted, but two additional athletic events found a place, a long race
and a diaulos race for boys.
Public-domain text, read in full here on John Shaqi.
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