Athletics; Physical education and training -- Greece -- History -- To 1500; Sports -- Greece -- History -- To 1500
athlete and the soldier very quickly began to widen. The athlete soon
became a professional in fact if not in name, with little time for
anything else but training. A class of professional instructors came
into existence, and Sparta, after first excluding the trainers, finally
forbade her citizens to take part in such competitions. She saw that the
spirit of the professional athlete was at enmity with the military
ardour which she made it her business to create, and so after about the
middle of the sixth century she practically withdrew from active
participation in the Olympic festival.
The withdrawal of Sparta, however, had also its political reasons, and
was only part of her general disapproval of the Tyrants. While she, the
Dorian ox, represented the principle of individual isolation, the
tyrannis, the Ionian horse, was the champion of expansion and national
unity. Athletic festivals were to the tyrants one of several means
whereby the commercial and social intercourse of all the Greek States,
on the mainland or across the seas, might be encouraged, and the period
of the tyrants’ prosperity was also the period when most of the
Panhellenic Games were instituted. Periander, tyrant of Corinth, founded
the Isthmia about 586 B.C.: Cleisthenes, tyrant of Sicyon, about the
same time helped the Amphictyons to establish the Pythia: the Nemea,
which began in 573, almost certainly owed their importance to one of the
tyrants of Argos who succeeded Phidon. As for Phidon himself, it is
probable that he should be regarded as the second founder of the Olympic
Games, and that his was the influence which changed a local festival
into a national gathering where East and West could meet. We know that
the chief object of his policy was to promote free intercourse with
South Italy and Sicily, and the geographical position of Elis, looking
across the western sea, was probably an important factor in his plans.
Public-domain text, read in full here on John Shaqi.
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