Greek dress : $b a study of the costumes worn in ancient Greece, from pre-Hellenic times to the Hellenistic ageAbrahams, Ethel Beatrice
History
Greek dress : $b a study of the costumes worn in ancient Greece, from pre-Hellenic times to the Hellenistic age
Abrahams, Ethel Beatrice
Clothing and dress -- Greece
Turning to the various passages in the Homeric poems which refer to
dress, we find that there is very little likelihood that they can
be intended to describe the kind of costume dealt with above under
the name of “Pre-Hellenic Dress.” The words used, and the accounts
of the process of dressing, have no meaning, unless we suppose
them to refer to the draped type of costume as opposed both to the
close-fitting jacket type and to the dressing-gown type, consisting
of a loose-sleeved garment opening down the front. The question of
the kind of dress actually worn by the Trojan and Achæan heroes is
not one to be entered into here; possibly it may have been the same
as that reflected in the art of the Minoan and Mycenæan peoples;
indeed, if the Trojans represent the older race which inhabited the
shores of the Ægean, and the Achæans the invaders who came down upon
them from the north, there is every probability that the former wore
the pre-Hellenic dress, and the latter introduced the new Hellenic
draped type. The use of the epithets βαθύκολπος and βαθύζωνος,
“deep-bosomed” and “deep-girdled,” in the Homeric poems perhaps has
some bearing on this point. Referring respectively to the deep hollow
between the breasts and to the girdle cutting deep into the figure,
they might well be applied to the wasp-waisted ladies of Knossos.
It is significant to notice that βαθύκολπος is used only of Trojan
women,[23] βαθύζωνος only of barbarian captives;[24] possibly the
poet may be unconsciously referring to the difference between the
dress of the older race and that of their Achæan conquerors.
[23] _Iliad_, 18. 122, 389, 24. 215.
[24] _Ibid._, 9. 594; _Odyssey_, 3. 154.
However that may be, in most cases Homer ascribes the same kind of
costume to Achæans and Trojans alike; he is singing of deeds that
happened many years, perhaps even two or three centuries, before
his day, and being no archæologist, he imagines his heroes to have
dressed as his own contemporaries did; he is acting no differently
from the Italian masters, who painted their Madonnas in mediæval
costume.
Public-domain text, read in full here on John Shaqi.
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