Greek dress : $b a study of the costumes worn in ancient Greece, from pre-Hellenic times to the Hellenistic ageAbrahams, Ethel Beatrice
History
Greek dress : $b a study of the costumes worn in ancient Greece, from pre-Hellenic times to the Hellenistic age
Abrahams, Ethel Beatrice
Clothing and dress -- Greece
My sources for the chapter on pre-Hellenic dress have been mainly
the finds of Mr A. J. Evans at Knossos, which I had the opportunity
of seeing in the Candia Museum; these have been supplemented by the
figures found at Petsofa, in Crete, and by various Mycenæan objects,
notably rings and gems. The papers published by Mr Evans and Mr J. L.
Myres in the _British School Annual_ have been of very great value.
For the chapter on Homeric dress, my chief authority has been the
poems themselves; in the absence of contemporary monuments, I
have used the François vase to illustrate this section, since the
figures upon it seem to tally most closely with the descriptions
of dress found in the poems. Of modern literary authorities, the
most valuable has been Studniczka’s _Beiträge zur Geschichte der
Altgriechischen Tracht_.
For the dress of the classical period, the evidence from extant art
is abundant, and I have based my study chiefly upon it. Sculpture and
vase-paintings have furnished the majority of my illustrations. I
have noted many references to dress scattered up and down the ancient
authors, and a passage from the fifth book of Herodotus has furnished
a starting-point for the classification into Doric and Ionic dress.
My theory as to the shape and “cut” of the himation worn by the
archaic ladies in the Acropolis Museum at Athens is, I think, a
new one; it is based on a very careful examination of the statues,
supplemented by some practical experiments in draping a living model.
For the sections on head-dress, materials, and footgear, I have
referred to passages in ancient literature, and have used extant
remains for illustrations, chiefly vase-paintings; except in the case
of materials, for which I have cited the actual fragments of fabric
found in Greek tombs at Kertch, in the Crimea.
In describing individual garments, I have in each case suggested
dimensions and given diagrams, which, it is hoped, may be of
practical use to those who wish to make Greek dresses for themselves.
Throughout the work, in addition to ancient authorities, I have
consulted the various articles in the current classical dictionaries.
These include Pauly-Wissowa’s _Real Encyclopädie_, Daremberg and
Saglio’s _Dictionnaire des Antiquités grecques et romaines_, Smith’s
_Dictionary of Greek and Roman Antiquities_, Gardner and Jevons’
_Manual of Greek Antiquities_, and the _Companion to Greek Studies_.
Other works, to which single references have been made, are mentioned
in the footnotes.
In addition to written authorities, I have received personal help
from several scholars and friends, to whom I should like to express
my thanks.
In the first place, I should like to acknowledge my indebtedness to
the Reid Trustees of Bedford College, who elected me to a Fellowship
in 1905, which enabled me to work for my second degree, and to spend
some months in Greece as a student of the British School at Athens.
Public-domain text, read in full here on John Shaqi.
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