simplicity and the possibilities of statuesque dignity which it contained. [85] Fig. 13. [86] Furtwängler, pl. ii. [87] _Ibid._, fig. 6. [88] B.M., E. 183. [Illustration: FIG. 13.—Vase-painting in the Polygnotan Style—Louvre. _Face page_ 47.] It has been mentioned incidentally that the Doric peplos is sometimes found worn over another garment, but it is ordinarily the only garment worn indoors, and for outdoor wear another is sometimes put on over it. The overfold of the peplos could itself be used as a veil by drawing the back part up over the head; it is so used by a woman on a red-figured vase in the British Museum.[89] [89] E. 307. [Illustration: FIG. 14.—Vase-painting by Hieron—British Museum. _Face page_ 49.] The outer garment worn by women in classical times corresponds to the Homeric κρήδεμνον and is called the ἱματίον, although this term is applied by Herodotus to the Doric peplos. By derivation the word simply means “a piece of clothing,” being connected with εἷμα and ἕννυμι. It consisted of a large oblong piece of material about 7 or 8 feet in length, and in breadth about equal to the wearer’s height. Considerable variety was possible in the arrangement of it. It could be worn both as head covering and cloak, by placing the middle of the upper edge over the head and letting the two sides fall down over the shoulders like a shawl; it is often so depicted on the vases both black- and red-figured; the figure of Eleusis wears it so on the Triptolemus vase by Hieron in the British Museum.[90] It was frequently worn over the shoulders in this fashion without covering the head, and could easily be pushed back or drawn up over the head at will. A second very common way of arranging the himation was to draw one end over the left shoulder from the back towards the front, so that it hung down in a point in front, then to pass the mass of material across the back and under the right arm and throw the other end over the left shoulder again, so that the second point hung down towards the back: this was a very common style both for men and women.[91] If additional warmth were required, it could easily be obtained by drawing the cloak up over the right shoulder, so as not to leave the right arm and chest exposed. A combination of these two styles is seen in some of the Tanagra statuettes, where the himation is put on over the head. Both shoulders are covered; but instead of the two ends being allowed to hang down symmetrically one on each side of the front, one is taken up and thrown over the other shoulder, so that the whole figure is covered in the ample folds of the cloak.[92] [90] Fig. 14, the figure to the right in the upper band. [91] See Fig. 20. [92] Fig. 15. [Illustration: FIG. 15.—Terra-cotta Statuette—British Museum. _Face page_ 49.]