Greek Lands and LettersAllinson, Anne C. E. (Anne Crosby Emery)
History
Greek Lands and Letters
Allinson, Anne C. E. (Anne Crosby Emery)
Greece -- Description and travel; Greek literature -- History and criticism
In this chapter, however, we have to do directly only with the Athens of
the fifth or fourth centuries. If the physical remains from this period
are fragmentary, the literature, although itself but fragments of the
whole, is the great bulk of existing classic Greek literature outside of
the epic, the earlier philosophers, and the lyric. And this _corpus_ of
literature was in large part native Attic. At the same time the talent
from without gravitated also to Athens. Herodotus from the Dorian
Halicarnassus not only wrote in Ionic, but adopted the Athenian attitude
so largely as to vitiate in part his value as an independent historian.
Hippocrates, the great Ionian physician, visited Athens. The Sophists,
though coming from the North, the West, or the islands, found in Athens
the appropriate environment for a “circuit” faculty of an unarticulated
federal university. Prose, seasoned and adorned, became henceforth an
asset of the Athenian intellect and was made ready for the use of
historian, orator, and philosopher. Athens, mistress of the seas, and
herself producer of art and literature, needed no protective tariff
against intellectual imports.
This very wealth of fifth and fourth century literature imposes
limitations, more rigid than our uncertainty about this, that, or the
other site, upon the effort to interpret the external Athens from the
more enduring monuments of her thinkers. Nor is it true that the nexus
between Athens and her literature may be made clear only by definite
localization. We do not wish the conditions reversed. Although, for
example, the courtrooms and the Lyceum have disappeared, we may, as we
wander about Athens to-day, come much nearer the Greeks of the classic
age than if, while the buildings had remained intact, the words of the
orators and of the great Peripatetic could no longer reach our ears. The
so-called “Theseum,” largely perfect as it is and invaluable for
architectural and artistic suggestion, leaves us cold in the lack of
literary association as compared with the Propylæa where many an
old-time Athenian rubs elbows with us as we pass in and out between its
stately columns. But in a wider sense we may “localize,” here on this
Attic plain around the Acropolis and here under this Attic sky, the
poetry and prose of the fifth and fourth centuries.
A brief summary of this poetry and prose will perhaps suggest more
clearly the larger pattern from which, almost arbitrarily, selections
may be made.
Public-domain text, read in full here on John Shaqi.
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