Greek Sculpture: A collection of sixteen pictures of Greek marbles with introduction and interpretationHurll, Estelle M. (Estelle May)
History
Greek Sculpture: A collection of sixteen pictures of Greek marbles with introduction and interpretation
Hurll, Estelle M. (Estelle May)
Sculpture, Greek
Our statue represents a sculptor's conception of this sportive being. It
is famous not only because it is a celebrated work of art, but because
it takes an important place in a celebrated novel. This is the "marble
faun" which gives the title to Hawthorne's book. It will be remembered
that in the beginning of the story, a party of friends are visiting the
museum of the Capitol in Rome, where the statue stands. Suddenly they
notice the resemblance which one of their number, a young Italian named
Donatello, bears to the statue. They bid him take the same attitude, and
the likeness is complete. The writer describes the statue in these
words: "The Faun is the marble image of a young man leaning his right
arm on the trunk or stump of a tree; one hand hangs carelessly by his
side; in the other he holds the fragment of a pipe, or some such sylvan
instrument of music. His only garment--a lion's skin,[19] with the claws
upon his shoulder--falls halfway down his back, leaving the limbs and
entire front of the figure nude. The form, thus displayed, is
marvellously graceful, but has a fuller and more rounded outline, more
flesh, and less of heroic muscle, than the old sculptors were wont to
assign to their types of masculine beauty.[20] The character of the face
corresponds with the figure; it is most agreeable in outline and
feature, but rounded and somewhat voluptuously developed, especially
about the throat and chin; the nose is almost straight, but very
slightly curves inward, thereby acquiring an indescribable charm of
geniality and humor. The mouth, with its full yet delicate lips, seems
so nearly to smile outright that it calls forth a responsive smile. The
whole statue--unlike anything else that ever was wrought in that severe
material of marble--conveys the idea of an amiable and sensual creature,
easy, mirthful, apt for jollity, yet not incapable of being touched by
pathos. It is impossible to gaze long at this stone image without
conceiving a kindly sentiment towards it, as if its substance were warm
to the touch, and imbued with actual life. It comes very close to some
of our pleasantest sympathies."
[19] More likely a leopard's skin.
[20] Compare, for instance, the slender figure of the Apoxyomenos.
[Illustration: Alinari, Photo. John Andrew & Son, Sc.
THE FAUN OF PRAXITELES
_Capitol Museum, Rome_]
Public-domain text, read in full here on John Shaqi.
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