Greek Sculpture: A collection of sixteen pictures of Greek marbles with introduction and interpretationHurll, Estelle M. (Estelle May)
History
Greek Sculpture: A collection of sixteen pictures of Greek marbles with introduction and interpretation
Hurll, Estelle M. (Estelle May)
Sculpture, Greek
13. _The Aphrodite of Melos (The Venus of Milo)._ Formerly attributed to
the period of transition between Phidias and Praxiteles, but assigned by
late critics to the Hellenistic Age (320-100 B. C.). Believed by
Furtwängler to be based on a work by Scopas, with considerable
modification of the original. Found in 1820 on the island of Melos at
the entrance of the Greek Archipelago. Purchased by the French
government for 6000 francs, and now in the Louvre, Paris.
14. _Orpheus and Eurydice._ One of several copies of an original
bas-relief referred by Collignon to the second half of 5th century B. C.
In the Albani Villa, Rome.
15. _Nike (The Winged Victory)._ A marble statue believed to have been
set up by Demetrius Poliorcetes to celebrate a naval victory in 306 B.
C. Found in 1863 by the French consul on the island of Samothrace. Now
in the Louvre, Paris.
I
BUST OF ZEUS OTRICOLI
From the earliest times men have sought to explain in one way and
another the common facts of daily life. Sunrise and sunset, seedtime and
harvest, life, death, and the hereafter are some of the mysteries which
have always puzzled the human mind. The primitive races, knowing nothing
of science, looked upon the forces of nature as gigantic personalities,
or gods, who controlled human destiny.
The most refined and imaginative of the ancient nations were the Greeks.
They invented innumerable tales or myths, in which all the changes of
nature and all the affairs of life were attributed to the workings of
the gods. When the sun rose, they said that Apollo had begun to drive
his chariot across the sky. When the wind blew, Zeus was sending his
messenger from the sky to the earth. When a man did a courageous deed,
it was because Athena had whispered to him what to do.
In this way the beliefs gradually took form which made the Greek
religion. Great temples were built for the worship of the gods, and
statues were set up in their honor. The finest works of Greek art were
connected with religious worship.
The gods were conceived as having the same form as human beings, but of
colossal size. They lived in an ideal country called Olympus,
"Olympus, where the gods have made,
So saith tradition, their eternal seat.
The tempest shakes it not, nor is it drenched
By showers, and there the snow doth never fall.
The calm, clear ether is without a cloud,
And in the golden light that lies on all,
Day after day the blessed gods rejoice."[3]
[3] Odyssey, Book vi., lines 54-60 in Bryant's translation.
Here each god had a separate dwelling, and in the midst was the palace
of their supreme ruler, Zeus, known to the Romans as Jupiter or Jove.
Public-domain text, read in full here on John Shaqi.
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