Art, Greek; Greek drama -- History and criticism; Mythology, Greek
You could hardly tell where the apartments of the adulteress ended
and that of the divine courtesan began. Haunts of her long,
indolent, self-pleasing nights and days, they presented everywhere
the impress of Phaedra's luxurious humour. A peculiar glow, such as
he had never before seen, like heady lamplight, or sunshine to some
sleeper in a delirious dream, hung upon, clung to, the bold, naked,
shameful imageries, as his step-mother trimmed the lamps, drew forth
her sickly perfumes, clad afresh in piquant change of raiment the
almost formless goddess crouching there in her unclean shrine or
stye, set at last her foolish wheel in motion to a low chant, holding
him by the wrist, keeping close all the while, as if to catch some
germ of consent in his indifferent words.
And little by little he perceives that all this is for him--the
incense, the dizzy wheel, the shreds of stuff cut secretly from his
sleeve, the sweetened cup he drank at her offer, unavailingly;+
[181] and yes! his own features surely, in pallid wax. With a gasp
of flighty laughter she ventures to point the thing out to him, full
as he is at last of visible, irrepressible dislike. Ah! it was that
very reluctance that chiefly stirred her. Healthily white and red,
he had a marvellous air of discretion about him, as of one never to
be caught unaware, as if he never could be anything but like water
from the rock, or the wild flowers of the morning, or the beams of
the morning star turned to human flesh. It was the self-possession
of this happy mind, the purity of this virgin body, she would fain
have perturbed, as a pledge to herself of her own gaudy claim to
supremacy. King Theseus, as she knew, had had at least two earlier
loves; for once she would be a first love; felt at moments that with
this one passion once indulged, it might be happiness thereafter to
remain chaste for ever. And then, by accident, yet surely reading
indifference in his manner of accepting her gifts, she is ready again
for contemptuous, open battle. Is he indeed but a child still, this
nursling of the forbidding Amazon, of that Amazonian goddess--to be a
child always? or a wily priest rather, skilfully circumventing her
sorceries, with mystic precautions of his own? In truth, there is
something of the priestly character in this impassible discretion,
reminding her of his alleged intimacy with the rival goddess, and
redoubling her curiosity, her fondness.+ [182] Phaedra, love-sick,
feverish, in bodily sickness at last, raves of the cool woods, the
chase, the steeds of Hippolytus, her thoughts running madly on what
she fancies to be his secret business; with a storm of abject tears,
foreseeing in one moment of recoil the weary tale of years to come,
star-stricken as she declares, she dared at last to confess her
longing to already half-suspicious attendants; and, awake one morning
to find Hippolytus there kindly at her bidding, drove him openly
forth in a tempest of insulting speech.
Public-domain text, read in full here on John Shaqi.
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