Art, Greek; Greek drama -- History and criticism; Mythology, Greek
There was a mordant there,
like the menace of misfortune to come, in which the injured goddess
also was invited to concur. What words! what terrible words!
following, clinging to him, like acrid fire upon his bare flesh, as
he hasted from Phaedra's house, thrust out at last, his vesture
remaining in her hands. The husband returning suddenly, she tells
him a false story of violence to her bed, and is believed.
King Theseus, all his accumulated store of suspicion and dislike
turning now to active hatred, flung away readily upon him,
bewildered, unheard, one of three precious curses (some mystery of
wasting sickness therein) with which Poseidon had indulged him. It
seemed sad that one so young must call for justice, precariously,
upon the gods, the dead, the very walls! Admiring youth dared hardly
bid farewell to their late comrade; are generous, at most, in [183]
stolen, sympathetic glances towards the fallen star. At home, veiled
once again in that ancient twilight world, his mother, fearing solely
for what he may suffer by the departure of that so brief prosperity,
enlarged as it had been, even so, by his grateful taking of it, is
reassured, delighted, happy once more at the visible proof of his
happiness, his invincible happiness. Duly he returned to Athens,
early astir, for the last time, to restore the forfeited gifts, drove
back his gaily painted chariot to leave there behind him, actually
enjoying the drive, going home on foot poorer than ever. He takes
again to his former modes of life, a little less to the horses, a
little more to the old studies, the strange, secret history of his
favourite goddess,--wronged surely! somehow, she too, as powerless to
help him; till he lay sick at last, battling one morning, unaware of
his mother's presence, with the feverish creations of the brain; the
giddy, foolish wheel, the foolish song, of Phaedra's chapel, spinning
there with his heart bound thereto. "The curses of my progenitors
are come upon me!" he cries. "And yet, why so? guiltless as I am of
evil." His wholesome religion seeming to turn against him now, the
trees, the streams, the very rocks, swoon into living creatures,
swarming around the goddess who has lost her grave quietness. He
finds solicitation, and recoils, in the wind, in the sounds of the
rain; till at length delirium [184] itself finds a note of returning
health. The feverish wood-ways of his fancy open unexpectedly upon
wide currents of air, lulling him to sleep; and the conflict ending
suddenly altogether at its sharpest, he lay in the early light
motionless among the pillows, his mother standing by, as she thought,
to see him die. As if for the last time, she presses on him the
things he had liked best in that eating and drinking she had found so
beautiful. The eyes, the eyelids are big with sorrow; and, as he
understands again, making an effort for her sake, the healthy light
returns into his; a hand seizes hers gratefully, and a slow
Public-domain text, read in full here on John Shaqi.
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