Art, Greek; Greek drama -- History and criticism; Mythology, Greek
And now we see why the tradition of human sacrifice lingered on in
Greece, in connexion with Dionysus, as a thing of actual detail, and
[48] not remote, so that Dionysius of Halicarnassus counts it among
the horrors of Greek religion. That the sacred women of Dionysus
ate, in mystical ceremony, raw flesh, and drank blood, is a fact
often mentioned, and commemorates, as it seems, the actual sacrifice
of a fair boy deliberately torn to pieces, fading at last into a
symbolical offering. At Delphi, the wolf was preserved for him, on
the principle by which Venus loves the dove, and Hera peacocks; and
there were places in which, after the sacrifice of a kid to him, a
curious mimic pursuit of the priest who had offered it represented
the still surviving horror of one who had thrown a child to the
wolves. The three daughters of Minyas devote themselves to his
worship; they cast lots, and one of them offers her own tender infant
to be torn by the three, like a roe; then the other women pursue
them, and they are turned into bats, or moths, or other creatures of
the night. And fable is endorsed by history; Plutarch telling us
how, before the battle of Salamis, with the assent of Themistocles,
three Persian captive youths were offered to Dionysus the Devourer.
As, then, some embodied their fears of winter in Persephone, others
embodied them in Dionysus, a devouring god, whose sinister side (as
the best wine itself has its treacheries) is illustrated in the dark
and shameful secret society described by Livy, in which his worship
ended at Rome, afterwards abolished by solemn act of the senate. [49]
He becomes a new Aidoneus, a hunter of men's souls; like him, to be
appeased only by costly sacrifices.
And then, Dionysus recovering from his mid-winter madness, how
intensely these people conceive the spring! It is that triumphant
Dionysus, cured of his great malady, and sane in the clear light of
the longer days, whom Euripides in the Bacchanals sets before us, as
still, essentially, the Hunter, Zagreus; though he keeps the red
streams and torn flesh away from the delicate body of the god, in his
long vesture of white and gold, and fragrant with Eastern odours. Of
this I hope to speak in another paper; let me conclude this by one
phase more of religious custom.
Public-domain text, read in full here on John Shaqi.
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