Art, Greek; Greek drama -- History and criticism; Mythology, Greek
The essay on "The Myth of Demeter and Persephone" was originally
prepared as two lectures, for delivery, in 1875, at the Birmingham
and Midland Institute. These lectures were published in the
Fortnightly Review, in Jan. and Feb. 1876. The "Study of Dionysus"
appeared in the same Review in Dec. 1876. "The Bacchanals of
Euripides" must have been written about the same time, as a sequel to
the "Study of Dionysus"; for, in 1878, Mr. Pater revised the four
essays, with the intention, apparently, of publishing them
collectively in a volume, an intention afterwards abandoned. [3] The
text now printed has, except that of "The Bacchanals," been taken
from proofs then set up, further corrected in manuscript. "The
Bacchanals," written long before, was not published until 1889, when
it appeared in Macmillan's Magazine for May. It was reprinted,
without alteration, prefixed to Dr. Tyrrell's edition of the Bacchae.
"Hippolytus Veiled" first appeared in August 1889, in Macmillan's
Magazine. It was afterwards rewritten, but with only a few
substantial alterations, in Mr. Pater's own hand, with a view,
probably, of republishing it with other essays. This last revise has
been followed in the text now printed.
The papers on Greek sculpture* are all that remain of a series which,
if Mr. Pater had lived, would, probably, have grown into a still more
important work. Such a work would have included one or more essays
on Phidias and the Parthenon, of which only a fragment, though an
important fragment, can be found amongst his papers; and it was to
have been prefaced by an Introduction to Greek Studies, only a page
or two of which was ever written.
[4] This is not the place to speak of Mr. Pater's private virtues,
the personal charm of his character, the brightness of his talk, the
warmth of his friendship, the devotion of his family life. But a few
words may be permitted on the value of the work by which he will be
known to those who never saw him.
Public-domain text, read in full here on John Shaqi.
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