Art, Greek; Greek drama -- History and criticism; Mythology, Greek
he is a sorcerer or an enchanter, the tyrant Pentheus thinks: the
springs of water, the flowing of honey and milk and wine, are his
miracles, wrought in person.
We shall see presently how, writing for that northern audience,
Euripides crosses the Theban with the gloomier Thracian legend, and
lets the darker stain show through. Yet, from the first, amid all
this floweriness, a touch or trace of that gloom is discernible. The
fawn-skin, composed now so daintily over the shoulders, may be worn
with the whole coat of the animal made up, the hoofs gilded and tied
together over the right shoulder, to leave the right arm disengaged
to strike, its head clothing the human head within, as Alexander, on
some of his coins, looks out from the elephant's scalp, and Hercules
out of the jaws of a lion, on the coins of Camarina. Those
diminutive golden horns attached to the forehead, represent not
fecundity merely, nor merely the crisp tossing of the waves of
streams, but horns of offence. And our fingers must beware of the
thyrsus, tossed about so wantonly by himself and his chorus. The
pine-cone at its top does but cover a spear-point; and the thing is a
weapon--the sharp spear of the hunter Zagreus--though hidden now by
the fresh leaves, and that button of pine-cone (useful also to dip in
[64] wine, to check the sweetness) which he has plucked down, coming
through the forest, at peace for a while this spring morning.
And the chorus emphasise this character, their songs weaving for the
whole piece, in words more effective than any painted scenery, a
certain congruous background which heightens all; the intimate sense
of mountains and mountain things being in this way maintained
throughout, and concentrated on the central figure. "He is sweet
among the mountains," they say, "when he drops down upon the plain,
out of his mystic musings"--and we may think we see the green
festoons of the vine dropping quickly, from foot-place to foot-place,
down the broken hill-side in spring, when like the Bacchanals, all
who can, wander out of the town to enjoy the earliest heats. "Let us
go out into the fields," we say; a strange madness seems to lurk
among the flowers, ready to lay hold on us also; autika ga pasa
choreusei+--soon the whole earth will dance and sing.
Public-domain text, read in full here on John Shaqi.
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