Art, Greek; Greek drama -- History and criticism; Mythology, Greek
She was thus already on the watch for a host of minute recognitions
on his part, of the self-sacrifice involved in her devotion to a
career of which she must needs drain out the sorrow, careful that he
might taste only the joy. So far, amid their spare living, the
child, as if looking up to the warm broad wing of her love above him,
seemed replete with comfort. Yet in his moments of childish
sickness, the first passing shadows upon the deep joy of her
motherhood, she teaches him betimes to soothe [165] or cheat pain--
little bodily pains only, hitherto. She ventures sadly to assure him
of the harsh necessities of life: "Courage, child! Every one must
take his share of suffering. Shift not thy body so vehemently.
Pain, taken quietly, is easier to bear."
Carefully inverting the habits of her own rude childhood, she learned
to spin the wools, white and grey, to clothe and cover him
pleasantly. The spectacle of his unsuspicious happiness, though at
present a matter of purely physical conditions, awoke a strange sense
of poetry, a kind of artistic sense in her, watching, as her own
long-deferred recreation in life, his delight in the little
delicacies she prepared to his liking--broiled kids' flesh, the red
wine, the mushrooms sought through the early dew--his hunger and
thirst so daintily satisfied, as he sat at table, like the first-born
of King Theseus, with two wax-lights and a fire at dawn or nightfall
dancing to the prattle and laughter, a bright child, never stupidly
weary. At times his very happiness would seem to her like a menace
of misfortune to come. Was there not with herself the curse of that
unsisterly action? and not far from him, the terrible danger of the
father's, the step-mother's jealousy, the mockery of those half-
brothers to come? Ah! how perilous for happiness the sensibilities
which make him so exquisitely happy now! Before they started on
their dreadful visit to the Minotaur, says Plutarch, the women told
their [166] sons many tales and other things to encourage them; and,
even as she had furnished the child betimes with rules for the solace
of bodily pain, so now she would have brought her own sad experience
into service in precepts for the ejection of its festering power out
of any other trouble that might visit him. Already those little
disappointments which are as the shadow beside all conscious
enjoyment, were no petty things to her, but had for her their pathos,
as children's troubles will have, in spite of the longer chance
before them. They were as the first steps in a long story of
deferred hopes, or anticipations of death itself and the end of them.
Public-domain text, read in full here on John Shaqi.
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