Art, Greek; Greek drama -- History and criticism; Mythology, Greek
The gift of Ares gone, the mystic girdle she would fain have
transferred to the child, that bloody god of storm and battle,
hereditary patron of her house, faded from her thoughts together with
the memory of her past life--the more completely, because another
familiar though somewhat forbidding deity, accepting certainly a
cruel and forbidding worship, was already in possession, and reigning
in the new home when she came thither. Only, thanks to some kindly
local influence (by grace, say, of its delicate air), Artemis, this
other god she had known in the Scythian wilds, had put aside her
fierce ways, as she paused awhile on her heavenly course among these
ancient abodes of men, gliding softly, mainly through their dreams,
with abundance of salutary touches. Full, in truth, of [167]
grateful memory of some timely service at human hands! In these
highland villages the tradition of celestial visitants clung fondly,
of god or hero, belated or misled on long journeys, yet pleased to be
among the sons of men, as their way led them up the steep, narrow,
crooked street, condescending to rest a little, as one, under some
sudden stress not clearly ascertained, had done here, in this very
house, thereafter for ever sacred. The place and its inhabitants, of
course, had been something bigger in the days of those old mythic
hospitalities, unless, indeed, divine persons took kindly the will
for the deed--very different, surely, from the present condition of
things, for there was little here to detain a delicate traveller,
even in the abode of Antiope and her son, though it had been the
residence of a king.
Hard by stood the chapel of the goddess, who had thus adorned the
place with her memories. The priests, indeed, were already departed
to Athens, carrying with them the ancient image, the vehicle of her
actual presence, as the surest means of enriching the capital at the
expense of the country, where she must now make poor shift of the
occasional worshipper on his way through these mountain passes. But
safely roofed beneath the sturdy tiles of grey Hymettus marble, upon
the walls of the little square recess enclosing the deserted
pedestal, a series of crowded imageries, in the devout spirit [168]
of earlier days, were eloquent concerning her. Here from scene to
scene, touched with silver among the wild and human creatures in dun
bronze, with the moon's disk around her head, shrouded closely, the
goddess of the chase still glided mystically through all the varied
incidents of her story, in all the detail of a written book.
Public-domain text, read in full here on John Shaqi.
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