Greek drama (Tragedy) -- History and criticism; Mythology, Greek, in literature
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GREEK TRAGEDY
GREEK TRAGEDY
BY
GILBERT NORWOOD, M.A.
FORMERLY FELLOW OF ST. JOHN’S COLLEGE, CAMBRIDGE
PROFESSOR OF GREEK IN THE UNIVERSITY COLLEGE, CARDIFF
METHUEN & CO. LTD.
36 ESSEX STREET W.C.
LONDON
_First Published in 1920_
PREFACE
This book is an attempt to cover the whole field of Greek Tragedy.
My purpose throughout has been twofold. Firstly, I have sought to
provide classical students with definite facts and with help towards a
personal appreciation of the plays they read. My other intention has
been to interest and in some degree to satisfy those “general readers”
who have little or no knowledge of Greek. This second function is
to-day at least as important as the first. Apart from the admirable
progress shown in Europe and the English-speaking world by many works
of first-rate Greek scholarship, in the forefront of which stand Jebb’s
monumental Sophocles, Verrall’s achievements in dramatic criticism, and
the unrivalled _Einleitung_ of Wilamowitz-Moellendorff,—the magnificent
verse-translations of Professor Gilbert Murray, springing from a rare
union of poetic genius with consummate scholarship, have introduced
in this country a new epoch of interest in Greek drama among many
thousands who are unacquainted with the language. Even more momentous
is the fact that the feeling of educated people about drama in general
has been revolutionized and reanimated by the creative genius of Ibsen,
whose penetrating influence is the chief cause of the present dramatic
renaissance in Great Britain.
Two important topics have been given more prominence than is usual in
books of this kind: dramatic structure and the scansion of lyrics.
Public-domain text, read in full here on John Shaqi.
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