Greek drama (Tragedy) -- History and criticism; Mythology, Greek, in literature
The personality of Sophocles stands out more definitely before the
modern eye than that of perhaps any other fifth-century Greek. His social
talent made him a noted figure whose good sayings were repeated, and of
whom the gossips as well as the critics loved to circulate illustrative
stories. He seemed the embodiment of all that man can ask. Genius, good
health, industry, long life, personal beauty, affluence, popularity, and
the sense of power—all were his, and enjoyed in that very epoch which,
beyond all others, seems to have combined stimulus with satisfaction.
Salamis was fought and won just as he had left childhood behind. His
adolescence and maturity coincided with the rise and establishment of
the Athenian Empire; he listened to Pericles, saw the Parthenon and
Propylæa rise upon the Acropolis, associated with Æschylus, Euripides,
Aristophanes, and Thucydides, watched the work of Phidias and Polygnotus
grow to life under their fingers. Though he carried into the years of
Nestor the genius of Shakespeare, he was yet so blessed that he died
before the fall of Athens. Phrynichus, the comic poet, wrote: “Blessed
was Sophocles, who passed so many years before his death, a happy man and
brilliant, who wrote many beautiful tragedies and made a fair end of a
life which knew no misfortune”.[30] Sophocles’ own words[31] come as a
significant comment:—
μὴ φῦναι τὸν ἅπαντα νικᾷ λόγον.
τὸ δ’, ἐπεὶ φανῇ,
βῆναι κεῖθεν ὅθενπερ ἥκει,
πολὺ δεύτερον ὡς τάχιστα.
“Best of all fates—when a man weighs everything—is not to be born, and
second-best beyond doubt is, once born, to depart with all speed to that
place whence we came.”
Public-domain text, read in full here on John Shaqi.
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