And her faith is echoed in less prosaic language[452] by the chorus, who proclaim the falsehood of the story that Heracles after his passing by fire went down to the abode of Hades; in truth he dwells in Heaven and in the golden court lives as the spouse of Hebe. But these confessions are due to the marvels on the battle-field, marvels upon which the narrator himself takes pains to throw grave doubt.[453] Macaria, though she has every reason[454] to dilate on the glories of her father, speaks of him but briefly and with only the normal filial respect.[455] Of the others, Copreus ignores him; from the man’s character we expect sneers and refutations of the miraculous stories such as are put by our poet in the mouth of Lycus.[456] Eurystheus speaks of him generously, but in terms which imply that he has never heard, much less accepted, the marvellous accounts of his enemy: “I knew thy son was no mere cypher, but in good sooth a man; for even though he was mine enemy, yet will I speak well of him, that man of worth”.[457] Demophon himself, the champion of Heracles’ children, even when he has been reminded (by Iolaus) how the hero rescued Theseus, father of Demophon, from Hades itself, in his reply treats this overwhelming claim ambiguously and with nothing more than politeness.[458] All this seems to show the dramatist’s belief that Heracles was simply a “noble man”—an ἐσθλὸς ἀνήρ—whose divine traits are the offspring of minds like those of Iolaus and Alcmena, whose sagacity throughout the drama is painfully low. Macaria’s fate, also, at first sight causes perplexity. After she leaves the scene, nothing[459] more is heard of her. When and where she dies we are not told; the promise[460] of Iolaus that she shall be honoured by him in death, as in life, above all women, produces no effect—for we are told nothing about her burial; whether the advent of Hyllus’ reinforcements should or does make any difference to the necessity for the sacrifice is not discussed. But there is good reason to suppose that a whole episode, on Macaria’s death, has been lost. The army of Hyllus is the most astonishing feature in the play. All the action and all the pathos depend upon the helplessness which involves the Heracleidæ. Every other city has rejected them; if Athens fails all is lost—so we are told repeatedly.[461] Yet at the last moment Hyllus returns with a positive army. Whence has it come? How can Iolaus have been ignorant that such aid was possible? We are told nothing. The Athenian leaders apparently, Iolaus and Alcmena[462] certainly, receive these incredible tidings with no feeling save placid satisfaction.