Greek drama (Tragedy) -- History and criticism; Mythology, Greek, in literature
This affected and obscure exordium is followed by verbal subtleties
at every opportunity: “through my sorrows I live not, yet see the
light”[702]—“my deeds, not my appearance, ravage me”[703]—“my body’s
gone, my name alone remains”.[704] But all this is nothing to the
detestable exhibition wherewith he answers the aged Tyndareus. To the
vital point—that Clytæmnestra should have been brought before a legal
tribunal—he makes no reply whatever. His only difficulties are that
Tyndareus is wounded to the soul by his daughter’s death, and that he is
far older than Orestes. What is to be done? Simply to “contract out of”
natural feelings so that the way may be clear for pure logic:—
True, matricide doth taint me, yet again
Pure am I, for my sire I did avenge.
Therefore let thy great age be set aside
From this our conference, for it puts me out;
And let me on—’tis but thy hair I dread.[705]
There follows a frigid “statement”—“balance two against two”[706]—of
his father’s claim and his mother’s offences, and of his own glorious
achievement in purifying social life. The original sinner is Tyndareus
himself who begot so vile a daughter! He ends by an appeal to Apollo’s
behest, and a pompous comment on the importance of marriage.
The aged Spartan having given his grandson over to justice as
irreclaimable, the youth turns to Menelaus, whom he insists on regarding
as his real hope, in spite of Menelaus’ plain reluctance and extreme
unpopularity in Argos. He is, moreover, unwilling to endure another
display: “Let me be; I am reflecting....”[707] At all times he is
impatient of subtleties; in the first moments of their meeting he
asks his accomplished nephew: “What mean you? Wisdom is shown not by
obscurity, but by plain speech.”[708] But now that Orestes has his
chance, he refuses to suffer Menelaus’ “reflections,” and with a warning
that “a long address is better than a short one, and easier for the
auditor to follow”[709] produces a masterpiece of metallic cleverness
which presses Seneca himself very hard; perhaps the finest gem is the
offer of Hermione as a kind of discount.[710] Before the Assembly he
succeeds in combining several insanely tactless insults to the Argives:
they are “possessors,” not original citizens, of the land; they were
Pelasgians at first, but later “Danaidæ,” descendants of the women who
slew their husbands; and he has killed his mother as much for their sake
as his father’s.[711] But Euripides’ most frightful satire on “advanced
education” is reserved for the nightmare of the close, where the raving
Orestes leans down over the battlement to the grief-maddened Menelaus
and begins by a lunatic reminiscence of the “Socratic method”: “will you
be the questioner or the respondent?”[712]
Public-domain text, read in full here on John Shaqi.
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