Fortunately for him, he is never undeceived. This man is not the Achilles of tradition; he is spiritual brother of the mad prince in the _Orestes_ and the ancestor of Mr. Shaw’s Sergius Saranoff. In his last work, then, Euripides, so far from showing any exhaustion of power, appears on the verge of new developments.[760] He has drawn still nearer to the new comedy of Menander. The suddenness with which, after the quarrel between Agamemnon and Menelaus, the crisis is precipitated by the entrance of the messenger announcing Iphigenia’s arrival—the man breaks into the middle of a line[761]—is a remarkable novelty. The altercation itself shows a brilliant freedom of idiom which even this poet has hardly reached hitherto. There is at least one unprecedented license of metre.[762] And the complete change of spirit which comes upon Iphigenia was novel enough to offend Aristotle.[763] The CYCLOPS[764] (Κύκλωψ) is the only complete[765] satyric play now extant. No indications of date[766] seem available. The background is a cave on Mount Etna, wherein dwells the Cyclops, or one-eyed giant, Polyphemus. Silenus tells how he and the satyrs have become the ogre’s slaves. He is sweeping out the cavern when the chorus of satyrs drive in their flocks. Odysseus and his men arrive, seeking provisions, which Silenus eagerly sells for a skin of wine. The conversation is interrupted by Polyphemus who decides to devour the intruders. Odysseus eloquently appeals to him, but receives a brutal and blasphemous reply. The giant drives the Greeks within, and the chorus express their disgust at his cannibalism. Odysseus tells how two of his men have been eaten; he himself has gained favour by the gift of wine, and proposes that they all escape, after blinding Polyphemus with a red-hot stake. The chorus joyfully assent. Polyphemus comes forth drunk and intending to visit his brethren, but Odysseus dissuades him. The Cyclops asks Odysseus his name and is told “Noman”; he promises to eat his benefactor last. The revel proceeds until Polyphemus retires, whereupon Odysseus calls for action, but the chorus all offer ridiculous excuses. The hero goes within to perform the task with his comrades. Soon the giant reappears, blind and bellowing with pain, while the satyrs joke about “Noman,” and give him false directions so that the Greeks escape from the cave. Odysseus reveals himself, and Polyphemus recognizes the fulfilment of an oracle. He threatens to wreck the ship, but the others depart unconcernedly to the beach.