"Green Balls" : The Adventures of a Night-BomberBewsher, Paul
History
"Green Balls" : The Adventures of a Night-Bomber
Bewsher, Paul
World War, 1914-1918 -- Aerial operations
I get out of my warm bed, very unwillingly, and dress lightly in a white
cricket shirt, grey flannel trousers, and a blue pea-jacket and a
muffler, and go out of the hut to the garage. Dawn is just breaking. The
sky is still bright with stars, and a moon is drowsily hanging like a
golden gong in the south-west. The air is extraordinarily fresh and
cold, and soon I am tearing joyfully through it on a clamorous
motor-bicycle. Down the road through the marshes I rush on my mile-long
ride to the sheds.
Outside the office I dismount and go inside the bare room, with its
charts and its long table, and meet the sleepy-eyed duty-officer, who is
wearing "gum-boots" and an overcoat over his pyjamas, and is obviously
looking forward to settling down once more to sleep. The duty-pilot
comes in after him, with a flying-cap on his head, and a muffler round
his neck, and a pair of gloves in his hand. A welcome cup of tea is
brought in by a massive bluejacket, and then I snatch up a life-belt, a
pair of binoculars, the Thermos flask and Malted Milk tablets, my
charts, and a few odd necessaries, and, accompanied by the pilot, I go
over to the slipway, at the end of which floats the seaplane, with its
wide white wings reflecting the pale light of dawn. A group of men in
great rubber boots stand in the water holding the wings.
When I get to the edge of the water I climb on to the back of one, and
he wades out into the water until I can stand on the float and climb up
into a seat in front of the pilot.
It is an ample seat--wide enough for three people--and I sit on a soft
cushion over a petrol-tank. The wireless sets, in varnished wooden
boxes, are fixed in position in front of me. My machine-gun is ready to
be fixed at a moment's notice, and I settle myself into the seat and put
down my various impedimenta and wait for the start.
The pilot in the back seat examines his instruments, and soon there is a
hissing noise as he turns on the compressed air. The propeller in front
of me moves round slowly. The engine fires and begins to start with a
roaring noise.
The propeller vanishes as it gathers speed, and I can see straight ahead
with an uninterrupted view.
The engine is tested with men hanging on to the wings. The pilot waves
his hand, the men leave go, and we begin to move out across the wide
harbour with its grey battleships and lean destroyers, and merchant
ships painted in strange patches.
The moon is growing paler now, and nearly all the stars have vanished
before the silver of the dawn. On our right is the outline of a
red-roofed harbour town, quiet and asleep. On the left are the great
sheds of the station, and the low green hills beyond. We face the wind.
The engine recommences its roar, and the seaplane begins to move quickly
across the water with a steady noise. Faster and faster it rushes on,
then begins to leap from wave-top to wave-top until we rise into the
air, and move at a rushing pace just over the pale oily water.
Public-domain text, read in full here on John Shaqi.
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