"Green Balls" : The Adventures of a Night-BomberBewsher, Paul
History
"Green Balls" : The Adventures of a Night-Bomber
Bewsher, Paul
World War, 1914-1918 -- Aerial operations
Still there was no apparent opposition. No searchlights moved in the
skies; no shells punctured the darkness. The French observer, who was
responsible for the navigation, looked carefully below and then at his
map. We were evidently drawing near to the blast-furnaces of
Hagendingen. Then he turned round and began to shout instructions. The
pilot could not quite understand what he said, so I assisted him. It
was strange to be arguing in English and French, the three of us, a
mile and a half in the air, fifteen miles beyond the German lines. We
became so interested in our explanations and translations that we forgot
our surroundings altogether.
"Let me talk to him. Qu'est ce que vous désirez dire, monsieur? Où est
Hagendingen?"
The Frenchman pointed an energetic finger downwards.
"Là! Là!"
"He says it's just ahead, Jimmy! Shall I get into the back?"
"Just a minute. Monsieur--c'est temps maintenant to drop the---- What's
drop, Bewsh?"
"Laisser tomber! I'll tell him. Est ce ... all right! _You_ tell him,
then! Look at the port pressure. I'll give it a pump!"
So went the conversation high above the earth at night in a hostile sky.
Then I lifted up my seat and crawled to the little room behind, which
vibrated fiercely with the mighty revolutions of the two engines. I
stood on a floor of little strips of wood, in an enclosure whose walls
and roofs were of tightly stretched canvas which chattered and flapped
a little with the rush of wind from the two propellers whirling scarcely
a foot outside. Behind was fitted a round grey petrol-tank, underneath
which hung the twelve yellow bombs.
I lay on my chest under the pilot's seat, and pushed to the right a
little wooden door, which slid away from a rectangular hole in the floor
through which came a swift updraught of wind. Over this space was set a
bomb-sight with its sliding range-bars painted with phosphorescent
paint. On my right, fixed to the side of the machine, was a wooden
handle operating on a metal drum from which ran a cluster of
release-wires to the bombs farther back. It was the bomb-dropping lever,
by means of which I could drop all my bombs at once, or one by one, as I
wished.
The edge of the door framed now a rectangular section of dark country,
on which here and there glowed the intermittent flame of a
blast-furnace. I could not quite identify my objective, so I climbed
forwards to the cockpit and asked the French observer for further
directions. He explained to me, and then suddenly I saw, some way below
the machine, a quick flash, and another, and another--each sending a
momentary glare of light on the machine. I crawled hurriedly back, and
lay down again to get ready to drop my bombs.
Public-domain text, read in full here on John Shaqi.
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