"Not in the least. Rushcroft's real name is Otterbein Smith. Horrible, isn't it? He sprung from some place in Indiana, where the authors come from. Miss Thackeray was our ingenue. A trifle large for that sort of thing, perhaps, but--very sprightly, just the same. She's had her full growth upwards, but not outwards. Tommy Gray, the other member of the company, is driving a taxi in Hornville. He used to own his own car in Springfield, Mass., by the way. Comes of a very good family. At least, so he says. Are you all ready? I'll lead you to the dining-room. Or would you prefer a little appetiser beforehand? The tap-room is right on the way. You mustn't call it the bar. Everybody in that little graveyard down the road would turn over completely if you did. Hallowed tradition, you know." "I don't mind having a cocktail. Will you join me?" "As a matter of fact, I'm expected to," confessed Mr. Dillingford. "We've been drawing quite a bit of custom to the tap-room. The rubes like to sit around and listen to conversation about Broadway and Bunker Hill and Old Point Comfort and other places, and then go home and tell the neighbours that they know quite a number of stage people. Human nature, I guess. I used to think that if I could ever meet an actress I'd be the happiest thing in the world. Well, I've met a lot of 'em, and God knows I'm not as happy as I was when I was WISHING I could meet one of them. Listen! Hear that? Rushcroft is reciting Gunga Din. You can't hear the thunder for the noise he's making." They descended the stairs and entered the tap-room, where a dozen men were seated around the tables, all of them with pewter mugs in front of them. Standing at the top table,--that is to say, the one farthest removed from the door and commanding the attention of every creature in the room--was the imposing figure of Lyndon Rushcroft. He was reciting, in a sonorous voice and with tremendous fervour, the famous Kipling poem. Barnes had heard it given a score of times at The Players in New York, and knew it by heart. He was therefore able to catch Mr. Rushcroft in the very reprehensible act of taking liberties with the designs of the author. The "star," after a sharp and rather startled look at the newcomer, deliberately "cut" four stanzas and rushed somewhat hastily through the concluding verse, marring a tremendous climax. A genial smile wiped the tragic expression from his face. He advanced upon Barnes and the beaming Mr. Dillingford, his hand extended. "My dear fellow," he exclaimed resoundingly, "how are you?" Cordiality boomed in his voice. "I heard you had arrived. Welcome,--thricefold welcome!" He neglected to say that Mr. Montague Bacon, in passing a few minutes before, had leaned over and whispered behind his hand: "Fellow upstairs from New York, Mr. Rushcroft,--fellow named Barnes. Quite a swell, believe me."