Green Stockings: A Comedy in Three Acts — John Shaqi
Green Stockings: A Comedy in Three ActsMason, A. E. W. (Alfred Edward Woodley)
General
Green Stockings: A Comedy in Three Acts
Mason, A. E. W. (Alfred Edward Woodley)
Comedy plays; England -- Social life and customs -- 20th century -- Drama
PHYLLIS. Yes, there's Madge. She is between Celia and myself.
SMITH. Engaged?
PHYLLIS. _More_ than engaged--_married_. And then comes Evelyn.
SMITH. Married?
PHYLLIS. Much _more_ than married. (SMITH _stares_.) A widow.
SMITH. And Miss Celia is the eldest of you all?
PHYLLIS. Oh, yes. Well, the moment after Celia was told of _my_
engagement, she announced _hers_.
SMITH. To Colonel Smith. (_Turns away from her with sudden
understanding_.) I see.
PHYLLIS. (_More melodramatically_) You know she had met him at
Southampton. (SMITH _looks at her_.) For a week they had been
together. (SMITH _turns in his chair_.) Only that morning he had told
her of his love. An hour later he was steaming down Southampton Water
to leave his neglected bones on the arid wastes of a----
SMITH. (_Interrupting her_) Ahem! You'll excuse me----
PHYLLIS. I beg pardon. He was on his way to Somaliland. She wrote to
him that night.
SMITH. (_Slowly_) Yes, the letter reached him. (_Tapping his pocket_)
I have it here.
PHYLLIS. (_Sentimentally_) He kept it?
SMITH. Yes, he kept it. He used to sit and study it by the hour.
PHYLLIS. How truly beautiful. Oh, you must tell Celia that. You
mustn't rob her of any of her grief.
SMITH. No, that would be too bad. So there was no opportunity for
Smith to come and make your acquaintance?
PHYLLIS. No, but I have heard so much of him from Celia that I could
almost believe I see him. (_Stares dreamily at_ SMITH. SMITH _rises
slowly, a little disconcerted_. PHYLLIS _rising and moving_ R.) I'll
go and send Celia to you.
(MARTIN _enters through morning room_.)
SMITH. Thanks. Now I know where I am.
MARTIN. (_Stands up_ R.) Miss Faraday is coming down, Miss. (_Crosses
and exits_ L., _lighting chandelier in card room_.)
PHYLLIS. Very well, Martin. Then I'll leave you to deliver your
message alone. (_Crosses to door_ R. _and opens it, then turns_) You
have brought, I hope, one or two mementoes from him----
SMITH. (_Puzzled for a moment_) I beg your pardon?
PHYLLIS. Little things that Celia can treasure.
SMITH. Oh, yes, yes. A few small things--trifles which Smith
habitually wore.
PHYLLIS. (_Sentimentally_) Just what she will value most. (_Exits_
R.IE.)
(SMITH _chuckles. He looks at his ring, but can't get it off, then at
his knife. That won't do. Then at his cigarette case. That will not
do. Also at his bunch of keys. That won't do. He reluctantly takes
watch and chain from his waistcoat and looks about for something to
wrap it up in. He sees the tissue paper which Celia has left on book
slide, gets it and wraps watch and chain up in it, putting it in his
pocket. He takes out his scarf pin, looks at it, starts to replace it
in tie. He reconsiders and wraps that up too, putting it in his
pocket. He hums a snatch of song for_ CELIA'S _entrance_. CELIA _enters
in evening dress_ R. _Comes_ R.C. SMITH _does not look up_.)
[Illustration: "Green Stockings" _Page_ 81]
Public-domain text, read in full here on John Shaqi.
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