Green Stockings: A Comedy in Three ActsMason, A. E. W. (Alfred Edward Woodley)
General
Green Stockings: A Comedy in Three Acts
Mason, A. E. W. (Alfred Edward Woodley)
Comedy plays; England -- Social life and customs -- 20th century -- Drama
CELIA. Yes, that midnight train. I don't care where it goes or if it
ever gets there. We'll manage to reach Southampton somehow before
to-morrow night. The thing is to get away from here as quickly as
possible. We must hurry terribly. It's nearly eleven now. We can have
a compartment to ourselves. I'll see if Wilson is still at the
station. (_Crossing to telephone on desk_) He'll tell us all about it.
AUNT IDA. (_Protesting_) I'm only half packed.
CELIA. That doesn't matter. I'm not packed at all. Kent's a jewel. She
will stay up all night, packing everything, and follow us in the
morning. (_Rings telephone and lifts off receiver_) Hello! Are you
there?
AUNT IDA. (_Still protesting_) My tailor suit has gone to the
cleaner's and won't be home till morning. I've nothing to wear.
CELIA. There is no time to wear anything. We must go without any
clothes.
AUNT IDA. What!!
CELIA. Except motor coats, I mean. We've got to go as we are. (_Into
telephone_) _Hello!_ Yes, put me through to the station, quick,
please. I want to speak to Wilson. (_To_ AUNT IDA) Now, don't worry,
Aunt Ida, I will bundle you up warmly.
AUNT IDA. I'll _have_ to have something to eat. I have had nothing
since morning. I couldn't eat a bite at the dinner and I feel so gone
and faint.
CELIA. Well, if you're feeling faint, dear, take a drink of that
brandy. That'll do you good.
AUNT IDA. Oh, no. I'm not addicted to the use of those things.
CELIA. But, if you're faint, you need it. (_Into the telephone_)
Hello! Hello! Is that you, Wilson?
AUNT IDA. But I do feel very faint.
CELIA. Just a minute, Wilson. (_Puts down receiver and runs across to
brandy bottle, picks up bottle and pours it into whiskey and soda
glass, while she talks excitedly. She pours the glass half full_.)
Now, please, dear. Don't be ridiculous at a time like this. You might
have one of your dreadful fainting spells in the motor, and I
shouldn't know what to do for you. Now, come, come, dear, drink this.
(_Rushes to the back of_ AUNT IDA'S _chair and holds the glass while
she drinks_. AUNT IDA _drains the glass, making a wry face and
shuddering_. CELIA _hurriedly puts down glass and flies back to
telephone_.)
AUNT IDA. If only it doesn't go to my head!
CELIA. Oh, it won't, it won't. (_Into telephone_) Hello, Wilson, are
you there? Well, listen, this is Miss Faraday. Yes, yes, Miss Celia.
I've got to get away to-night on the midnight train. It's most
important and will you look up at once what connections that train
makes for Southampton--yes, Southampton. Also please wire Bletchley,
and have a compartment reserved for me. What? It will take you ten
minutes? Please hurry. There is so little time to spare. (_Replaces
receiver_.) Now we must get the motor. (_Springs up from chair and
goes up to bell-push_ L. _of_ C. _door, rings bell, runs down to_ R.
_of_ AUNT IDA _and picks up the tongs from floor_.) How do you feel
now, Aunt Ida? How do you feel now?
AUNT IDA. Oh, I feel all right.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account