Green Stockings: A Comedy in Three Acts — John Shaqi
Green Stockings: A Comedy in Three ActsMason, A. E. W. (Alfred Edward Woodley)
General
Green Stockings: A Comedy in Three Acts
Mason, A. E. W. (Alfred Edward Woodley)
Comedy plays; England -- Social life and customs -- 20th century -- Drama
AUNT IDA. Now what was that? (_Her eye lights on telephone and a smile
breaks over her face_) The telephone. Wilson's message. Must write it
down. (_Goes carefully and slowly to desk and sits heavily in chair.
Takes off receiver and places transmitter to her ear. There is a pause
as she listens. A look of terror and surprise creeps over her face_.)
Now! something's the matter with my ears. I can't hear a word they
say. I believe I'm paralyzed. Oh, dear. (_Looks helplessly about
her_.) Why doesn't Celia come back? (_She has taken a pen in her right
hand to write down the message. She holds the receiver in her left
hand. She looks from one to the other and cannot make up her mind
which goes where. She finally decides and elaborately puts the pen in
the telephone hooks with a satisfied smile. She then carefully places
the receiver on the desk where the pen ought to be_.) It's not us.
This has been a dreadful day. (_Slowly and carefully rising and
looking tipsily about_) If I'm to be good for anything to-night, I
will have to lie down somewhere. (_Goes up to doors_) If only
for five minutes. (_Unlocks and opens doors_) I'll have to lie
down--I'll--have--to---- (_She exits at back to_ R., _whimpering to
herself. When she is off, the telephone bell begins to ring. After it
has rung for a moment_, FARADAY _is heard off stage, calling_)
FARADAY. (_Off stage_ L.) Celia! Celia! Where are you, Celia? (_He
appears from the_ L. _and stands in_ C. _doorway, looking off right.
His jaw drops_.) What--is--the--matter--with--your--Aunt? (_The
telephone bell continues to ring. He hurries down_.) Here! Stop it!
Stop it! Stop it! (SMITH _enters and comes down_ L. _of table above
chair where_ CELIA'S _coat and bag are_. FARADAY _sees pen in
telephone hooks, jerks it out and throws it on desk and picks up
receiver. Bell stops ringing_.) Hello! Hello! Faraday Hall. Mr.
Faraday speaking.--Tell Miss Faraday what? You've made the reservation
on the midnight train, change cars at Cobden?
SMITH. (_Sees_ CELIA'S _wraps and bag and starts slightly_) Miss
Faraday going? (_Moves_ R. _above table, thinking_.)
FARADAY. (_Into telephone_) Nonsense, man, you mean Mrs. Faraday. At
twelve noon, she's leaving, not twelve _midnight_.--What's that you
say? It was Miss Celia that telephoned and said she was going herself?
Nonsense, man! Don't argue with me. I'm afraid you've been drinking,
my man. (_Smells telephone_) The telephone _reeks of brandy!_ Try to
be sober by morning. Remember, we need you in this election. (_As
he hangs up telephone_) I've only known him to be drunk once
before--decent chap and devoted to Celia.
SMITH. (R. _of table_) Every one is, sir. She's peculiarly attractive.
Public-domain text, read in full here on John Shaqi.
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