But now I looked upon no city scene, no picture built upon the substantial foundation of daddy at the office all day, fixing a leaky faucet of an evening, painting the woodwork during his summer vacation; or mom, after a pleasant afternoon with the girls, unstintedly opening cans for supper and harassedly watching the cleaning woman who came in once a week. An alien presence, a rude fist through the canvas negated the convention that this was a picture of reality. A coneshaped hill rose to a blurred point, marking the burialplace of the Dinkman house. It was a child's drawing of a coneshaped hill, done in green crayon; too symmetrical, too evenly and heavily green to be a spontaneous product of nature; man's unimaginative hand was apparent in its composition. The sides of the cone flowed past the doors and windows of the adjacent houses, blocking them as it had previously blocked the Dinkmans', but their inhabitants, forewarned, had gone. More than mere desertion was implied in their going; there was an implicit surrender, abandonment to the invader. The base of the cone, accepting capitulation and still aggressive, had reached to the lawns beyond, warning these householders too to be ready for flight; over backfences to dwellings fronting another street, and establishing itself firmly over the concrete pavement before the Dinkmans' door. I would be suppressing part of the truth if I did not admit that for the smallest moment some perverted pride made me cherish this hill as my work, my creation. But for me it would not have existed. I had done something notable, I had caused a stir; it was the same kind of sensation, I imagine, which makes criminals boast of their crimes. I quickly dismissed this morbid thought, but it was succeeded by one almost equally unhealthy, for I was ridden by a sudden wild impulse to touch, feel, walk on, roll in the encroaching grass. I tried to control myself, but no willing of mine could prevent me from going up and letting the long runners slip through my half open hands. It was like receiving some sort of electric shock. Though the blades were soft and tender, the stems communicated to my palms a feeling of surging vitality, implacable life and ineluctable strength. I drew back from the green mass as though I had been doing something venturesome.