Yet, after all, it isn't the food and drink, nor yet the unusual
surroundings, that bring you back to these places. It's the--well, one
has to use, once in a while, the hard-worked and generally
inappropriate word "atmosphere." Like "temperament" and
"individuality" and the rest of the writer-folk's old reliables,
"atmosphere" is too often only a makeshift, a lazy way of expressing
something you won't take the trouble to define more expressively. Dick
says in "The Light That Failed" that an old device for an unskilful
artist is to stick a superfluous bunch of flowers somewhere in a
picture where it will cover up bad drawing. I'm afraid writers are apt
to use stock phrases in the same meretricious fashion.
But this is a fact just the same. Nearly all the Greenwich Village
places really have atmosphere. You can be cynical about it, or frown
at it, or do anything you like about it, but it's there, and it's the
real thing. It's an absolute essence and ether which you feel
intensely and breathe necessarily, but which no one can put quite
definitely into the concrete form of words. I have heard of liquid or
solidified air, but that's a scientific experiment, and who wants to
try scientific experiments on the Village which we all love?
"But such an amount of play-acting and pose!" I hear someone complain,
referring to the Village with contemptuous irritation. "They pretend
to be seeking after truth and liberty of thought, and that sort of
thing, and yet they are steeped in artificiality."
Public-domain text, read in full here on John Shaqi.
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