Grey Wethers: A Romantic NovelSackville-West, V. (Victoria)
General
Grey Wethers: A Romantic Novel
Sackville-West, V. (Victoria)
Great Britain -- Social life and customs -- 20th century -- Fiction; Romance fiction; Social classes -- Fiction
“That’s very pretty, Richard, but it doesn’t mean much; don’t you ever
want to be out, moving, riding, anything! anything but sit cooped
indoors day after day with books?”
“I confess I haven’t much desire to be riding into snow-drifts on this
particular morning,” said Calladine, glancing at the white-and-leaden
prospect out of the window.
“And you wouldn’t allow me to do so either, if I had a mind to?”
“Such a wild child!” said Calladine fondly, stroking her hair. “How
fortunate that you should have a staid, elderly husband to look after
you.”
“How do you think I looked after myself for nineteen years, then,
Richard?”
“Heaven knows,” said Calladine in mock dismay; banter with Clare was
a form of conversation he particularly enjoyed. The morning promised
to pass agreeably; there was nothing he liked better than for Clare
to kneel at his feet, as she was doing now, sitting back on her
heels, while he looked at her fresh youthfulness with that fond and
tender glance of his, and rallied her gently, or caressed her with
the courtly phrases she had heard from him alone among men. “How
_did_ you look after yourself?” he repeated. “You always escaped from
old Martha Sparrow, and even the poacher cannot always have been at
hand for a ready rescue, and in any case he is scarcely my idea of a
knight-errant.”
“No,” said Clare, “he hasn’t such pretty manners as you, Richard.”
“Now you’re laughing at me,--are you, or aren’t you? I never know,” and
he caught her to him and began flecking her face and hair with quick
kisses, but desisted to say more seriously, “You’re so exquisitely a
woman, Clare, so deliciously a child; I realised that you were both
from the day you first came to visit me here.”
The phrase had a vague echo of familiarity for Clare; “so exquisitely
a woman”; she felt sure that she had heard him say that, or something
very like it, before; and she thought with the hardness that was
becoming habitual to her where he was concerned, that from no woman
would he demand anything further.
“What a toy I am to you, Richard,” she said idly; “what a toy you like
to make of me.”
“The most exquisite toy that ever came into the life of a sad and
lonely man,” he said, with a return to his old manner, and he took her
hand and began to play with the bangle on her wrist. He handled her
much as he would handle his terra-cotta statuettes, and for a while she
endured it, but presently sprang away and went to stand at the window
where she might look out upon the prospect of shining snow.
“Always looking out, Clare? what liberty do you see out there? you
think I ought to let you go, little caged bird, but you would soon
perish,--your pretty limbs wouldn’t stand the cold,--better stay
happily where you are, believe me,--don’t fret,--come back to me,--let
me whisper how precious you are,--come back to our lovely idleness.”
Public-domain text, read in full here on John Shaqi.
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