Amongst the four old men, he who carried perhaps most authority, if any difference could be said to exist amongst the ancient cronies, was John Sparrow, who out-topped them by a year or so of age. Not that this fact in itself constituted so marked a superiority; it placed the senior rather at a disadvantage, since there existed amongst the four a tacit competition as to which should outlive the other, and each within his own mind dwelt upon the day when a fresh mound should be turned in the neighbouring church-yard, and a shrunken row of three should sit upon the bench, and the new topic, surprising by virtue of its very novelty, be introduced among them, the topic of their missing member. Each probably knew his companions well enough to hope for little charity at their hands. It would be fine fun, to have John Sparrow, or Caleb Patch, or Timothy Cutbush, or Eli Sheppard, lying there silent and unable to protest, to pick to pieces at their leisure. No, the few additional years of John Sparrow were not precisely the reason of his weight of word. But Sparrow’s daughter Martha, called “my gal,” although she would never again see sixty, was servant at the Manor House, where lived the only gentry of the village, and consequently whenever Sparrow began his phrase, “My gal says,” his utterance was awaited with a certain degree of respect. The village was proud of its gentry; Mr. Warrener was a scholar, and Miss Clare a lady. Although she went everywhere alone, and rode her pony like a boy, her ladylikeness could never be in question. Hence it came about that John Sparrow’s quotations from Martha held a little flavour of high life, a very remote echo of fashion; nothing more vicarious could well be imagined, but to the fuddled minds of the other three it sufficed: John Sparrow was in touch with elegance. He did not much look like it, as he sat at the end of the row on the bench, the colour of a hayseed, having now deposited his empty mug on the bench beside him and drawn from his pocket a long clay pipe whose small bowl he was very carefully ramming with tobacco. His daughter Martha was altogether a different question; she wore a lilac print dress and an apron over it; her grey hair was partly covered by a cap; she had a sedate manner and shining old cheeks; she was clean and respectful. She had entirely ceased to live at her father’s house, having her own bare but immaculate attic bedroom at the Manor House, and periodically she allowed her father to come there to tea in the kitchen, where he sat very neat and intimidated and impressed, enjoying most that part of his visit when he was boasting about it to his cronies afterwards. Being without subtlety they betrayed every corner of their envy and curiosity, to which John Sparrow was not loth to pander. They had had a table-cloth, and cups and saucers--china, not tin--and Martha had put flowers on the table. After tea Martha had played the musical box, but in the garden he had