I walked slowly along the edge of the wood. A sound broke the stillness
of the night, it was a rustling in the wood. I stopped and listened. The
sound stopped too. I went on, and now distinctly heard another step than
mine answer mine like an echo. It was a poacher or a wood-stealer, most
likely, for these were not unknown in our Arcadian neighbourhood. But
whoever it was, he was a fool not to step more lightly. I turned into
the wood, and now the footstep seemed to come from the path I had just
left. It must be an echo, I thought. The wood looked perfect in the
moonlight. The large dying ferns and the brushwood showed where through
thinning foliage the pale light came down. The tree trunks stood up
like Gothic columns all around me. They reminded me of the church, and I
turned into the bier-balk, and passed through the corpse-gate between
the graves to the low porch. I paused for a moment on the stone seat
where Laura and I had watched the fading landscape. Then I noticed that
the door of the church was open, and I blamed myself for having left it
unlatched the other night. We were the only people who ever cared to
come to the church except on Sundays, and I was vexed to think that
through our carelessness the damp autumn airs had had a chance of
getting in and injuring the old fabric. I went in. It will seem strange,
perhaps, that I should have gone half-way up the aisle before I
remembered--with a sudden chill, followed by as sudden a rush of
self-contempt--that this was the very day and hour when, according to
tradition, the "shapes drawed out man-size in marble" began to walk.
Having thus remembered the legend, and remembered it with a shiver, of
which I was ashamed, I could not do otherwise than walk up towards the
altar, just to look at the figures--as I said to myself; really what I
wanted was to assure myself, first, that I did not believe the legend,
and, secondly, that it was not true. I was rather glad that I had come.
I thought now I could tell Mrs. Dorman how vain her fancies were, and
how peacefully the marble figures slept on through the ghastly hour.
With my hands in my pockets I passed up the aisle. In the grey dim light
the eastern end of the church looked larger than usual, and the arches
above the two tombs looked larger too. The moon came out and showed me
the reason. I stopped short, my heart gave a leap that nearly choked me,
and then sank sickeningly.
The "bodies drawed out man-size" _were gone_, and their marble slabs lay
wide and bare in the vague moonlight that slanted through the east
window.
Public-domain text, read in full here on John Shaqi.
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