I tried counting up to a thousand. I tried to imagine sheep in a lane,
and to count them as they jumped through a gap in an imaginary
hedge--all the time-honoured spells with which sleep is wooed--vainly.
Then the Waits came, and a torture to the nerves was superadded to the
torture of the heart. After fifteen minutes of carols every fibre of me
seemed vibrating in an agony of physical misery.
To banish the echo of "The Mistletoe Bough," I hummed softly to myself
a melody of Palestrina's, and felt more awake than ever.
Then the thing happened which nothing will ever explain. As I lay there
I heard, breaking through and gradually overpowering the air I was
suggesting, a harmony which I had never heard before, beautiful beyond
description, and as distinct and definite as any song man's ears have
ever listened to.
My first half-formed thought was, "more Waits," but the music was choral
music, true and sweet; with it mingled an organ's notes, and with every
note the music grew in volume. It is absurd to suggest that I dreamed
it, for, still hearing the music, I leaped out of bed and opened the
window. The music grew fainter. There was no one to be seen in the snowy
garden below. Shivering, I shut the window. The music grew more
distinct, and I became aware that I was listening to a mass--a funeral
mass, and one which I had never heard before. I lay in my bed and
followed the whole course of the office.
The music ceased.
I was sitting up in bed, my candle alight, and myself as wide awake as
ever, and more than ever possessed by the thought of _her_.
But with a difference. Before, I had only mourned the loss of her: now,
my thoughts of her were mingled with an indescribable dread. The sense
of death and decay that had come to me with that strange, beautiful
music, coloured all my thoughts. I was filled with fancies of hushed
houses, black garments, rooms where white flowers and white linen lay in
a deathly stillness. I heard echoes of tears, and of dim-voiced bells
tolling monotonously. I shivered, as it were on the brink of irreparable
woe, and in its contemplation I watched the dull dawn slowly overcome
the pale flame of my candle, now burnt down into its socket.
I felt that I must see Kate once again before she gave herself away.
Before ten o'clock I was in the oak parlour. She came to me. As she
entered the room, her pallor, her swollen eyelids and the misery in her
eyes wrung my heart as even that night of agony had not done. I
literally could not speak. I held out my hands.
Would she reproach me for coming to her again, for forcing upon her a
second time the anguish of parting?
She did not. She laid her hands in mine, and said--
"I am thankful you have come; do you know, I think I am going mad? Don't
let me go mad, Jasper."
The look in her eyes underlined her words.
I stammered something and kissed her hands. I was with her again, and
joy fought again with grief.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account