[Illustration: HE SAID, “LITTLE TABLE SET THYSELF!”] GRIMM’S FAIRY TALES EDITED BY FRANCES JENKINS OLCOTT [Illustration] _Illustrated By Rie Cramer_ THE PENN PUBLISHING COMPANY PHILADELPHIA 1927 COPYRIGHT 1922  BY THE PENN PUBLISHING COMPANY [Illustration] Grimm’s Fairy Tales Printed in the U. S. A. FOREWORD To our American boys and girls is offered this volume which is really Grimm’s _Fairy Tales_, not an abridgment superficial and colorless, nor an insipid retelling of the stories. This edition is based on the Hunt version, with an introduction by the folk-lorist, Andrew Lang. The Hunt version is considered a most accurate English translation. From the full collection, fifty-one stories suitable for children have been selected. Among these are famous tales as well as many delightful ones not usually included in children’s volumes. Where the Hunt wording is too stilted, the text of the _Hausmärchen_ itself has been followed. The very long sentences have been subdivided. While that quaint old-fashioned translation, illustrated with woodcuts by Wehnert, has contributed its bit of folk phraseology. The Editor’s desire is to restore to the children as large a collection as possible of Grimm’s _Fairy Tales_ unmutilated in their literary perfection. The illustrations are by the well-known Dutch artist, Mrs. Rie Cramer. Some of Rie Cramer’s other fairy tale pictures published in England, are said by admiring critics there, to be very charming, of exceptional merit, and to have high artistic merit of their own. Her illustrations for Grimm are particularly harmonious in color, while their quaint charm grows on one more and more as one lives with them. They are fanciful or humorous. They have the quality, rare in fairy tales, of actually illustrating their text. This will mean added pleasure to the children. Rie Cramer’s little black and white headings are particularly pretty and graceful in outline. The tales are presented here in their original form, with nothing left out of child-heartedness, humor, poetic feeling, and delicate sentiment and fancy. Indeed, it is all here--the poesy and purity which those profound and child-loving scholars, the Brothers Grimm, retained in the old folk-tales which, with so much pains, they gathered largely from among the peasant-folk themselves. And the Brothers explained, in their preface, that they had planned the volume as an educational book as well as one for scholars; for which reason they had eliminated everything which they feared might harm the children. But since the Brothers issued their book, about a hundred years ago, educational requirements of what is ethically best for children have materially advanced. Therefore, in this book, a few other parts unsuitable for children have been omitted.