African Americans -- Louisiana -- Gretna -- Fiction; Short stories, American
“’Cause talkin’ is ketchin’,” Lizzie answered. “An’ some people got a
reckless way o’ speakin’ dey words twice an’ makin’ ’um diffunt. So you
gotta watch out an’ keep from tellin’ too much. An’ any way, de boy done
wiped his lips; an’ me an’ Chester jus’ ’bout ready to fix we-all mouf
for some o’ Sis’ Susan gumbo, befo’ we start out for church, yonder to
Gritny.”
Getting up from the floor, she shook herself like a hen emerging from a
dust bath, kicked her shoes aside, and called out with energy:
“Come on, Sis’ Smiley, lemme help you fix de plates. Dey got two hongry
niggers hyuh kin outeat a mul’tude o’ Izzalites.” Then looking at
Chester, she said to him boisterously: “Boy, drap yo’ ole long self over
to dis side de table an’ try’n’ look like you got a intrus’ in de things
goin’ on!... You ain’ never heah’d tell ’bout gumbo befo’?”
Chester simpered good-naturedly and took a seat at the table. When the
gumbo was served, Lizzie sat down alongside of him and they began eating.
Dink’s whimpering music was heard over in the corner of the room, waking
like a timely invitation, and several members began humming softly.
Gussie, eager for conversation, was about to speak; when Nat, preferring
to have no irrelevant distraction, held up his hands for silence, rolling
his eyes ominously. Gussie obeyed the sign, and the humming flowed on
uninterrupted. By degrees it gathered volume, sustained and fervent;
every one surrendering unconsciously to the ingratiating lilt of the
pulsing melody.
Tom sat humming with his hands to his head, his elbows resting on his
knees. Susan was sitting opposite, swaying to and fro in rhythmic
contemplation. Nat sat upright with his head resting against the back of
his chair, his brawny hands clasping the chair legs. Uncle Foteen sat
with his eyes closed, every now and then intoning a low “A-men.” The
women accentuated the rhythm as they hummed, with a gentle patting of
the feet. And Felo’s spasmodic interpolation of a picturesque word or a
fragmentary line from the song proper, added rare charm to the fleeting
tuneful moments.
Lizzie and Chester were eating with evident enjoyment, apparently
interested in the obligato of voices. Having finished her gumbo, Lizzie
leaned back in her chair, and in a spirit of careless mischief began
singing lustily the old street song,
“Mama got a baby called “Ti-nah-nah-’nah
’Ti-nah-nah ’nah, ’nah....”
Felo’s loud reprimand brought her song to an abrupt close. Glowering with
indignation, he called to her:
“Gal, git out o’ hyuh wid yo’ strumpet ways! W’at you take dis place to
be, anyhow? You better go out yonder on de road, an’ play wid yo’ kind,
if you can’ ack right w’en you git ’munks people w’at know how to be
decen’.”
“But no, Mr. Felo,” Lizzie answered with genuine surprise. “You ain’ mean
to call me out my name like dat, is you?”
Public-domain text, read in full here on John Shaqi.
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