African Americans -- Louisiana -- Gretna -- Fiction; Short stories, American
The floor-like tops of these wells were delightful gathering places for
the colored children of the neighborhood on moonlight nights. Here they
would congregate for their merry games and romping; the pleasant sound of
their happy voices becoming a sort of evening service for the old folks
who came out of doors to sit on the gutter-curb and doorsteps, eager to
enjoy a bit of friendly gossip after a long day’s toil.
Tempe was sitting in the doorway of her house, in the glowing moonlight,
smoking her pipe and listening to the singing children at the corner,
when Chester came up to her.
“’Deevnin’, Sis’ Tempe,” he greeted her politely. “I was wond’rin if I
was goin’ fin’ you at yo’ house. You know who dis is, don’t you?”
She looked at him quietly, making no sign of recognition.
“Dis me, Sis’ Tempe,” he said, taking a seat near her. “Dis Chester.
Chester Frackshun, w’at use to live ’longside you, yonder ’cross de
green.”
“I ain’ forgot who you is,” she told him, looking at him searchingly. “I
ain’ forget nothin’.... An’ you ain’ need to tell me w’at you come after,
either. Cause I’m sho goin’ give de thing back to de lawful owner, now
you done come hyuh.”
Getting up to go into the house, she said to him: “Set hyuh on de
do’-step till I come back.”
“Lemme come inside wid you, Sis’ Tempe,” Chester suggested, getting up to
follow her. “I wan’ talk wid you on a li’l business.”
“Stay right whah you is till I come back, I tell you,” she commanded,
looking at him fixedly for several seconds before going inside.
Chester sat down again and waited on the steps for her to return.
After a while she came back with a cup of salt in her hand, and stood
mumbling some unintelligible words, as she sprinkled the salt across the
threshold, in the form of a cross. Having finished, she said to him:
“De one dey call Chester kin come in, now. But w’at be fol’rin ’im, gotta
stay out-do’s.”
He made no comment about the strange invitation, but got up and went
inside.
The room was in semi-darkness; the only light being the reflected glow
of a candle in the back room, and a narrow stream of moonlight coming
through the open door at the front, falling across the well-scrubbed
floor like a stripe of tarnished silver.
“Set hyuh whah I kin seen you,” Tempe said; placing a chair near the door
where the moonlight would fall across him.
Chester took the offered seat, and Tempe sat down opposite, half-hidden
in the shadow.
“You mus’ bin know I wan’ see you?” she asked. And without waiting for
his reply, she went on speaking in a kind of ecstasy:
“Boy, de sperret o’ Gawd don’ never work in vain.
“An’ don’t you never try to b’lieve de sperret gives up.
“E knows ’is own strank; an’ ’e knows ’is time.
“An’ soon or later, ’e sho goin’ track you down, an’ all de wrong-doin’
you done commit in de dark, de sperret o’ Gawd goin’ drag it fo’th an’
shame you in de light o’ day!
“Yas, Jesus.... You hyeah me talkin’?”
Public-domain text, read in full here on John Shaqi.
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