Growing Up: A Story of the Girlhood of Judith Mackenzie — John Shaqi
Growing Up: A Story of the Girlhood of Judith MackenzieConklin, Nathaniel, Mrs.
General
Growing Up: A Story of the Girlhood of Judith Mackenzie
Conklin, Nathaniel, Mrs.
Christian life -- Fiction; Conduct of life -- Fiction; Girls -- Fiction; Young women -- Fiction
“Then her hair _is_ curled, and she is trying to be good and
listen. Perhaps she likes sermons—she looks so; in the picture the
sermon is like the Bible stories you tell me when we read together—I
_wish_ ministers told Bible stories. And there’s the sweetest
singing; it is like Marion Kenney’s singing; she sings like a bird,
Don says; there are girls and boys all over the church, for the
minister in the picture knows how to tell Bible stories to boys and
girls and make them as real as the people and things in Summer Avenue
and Bensalem; just as naughty and just as good. Jean Draper is
there—in the pew behind me. Why, mother,” bringing herself back to the
present and turning to look into her mother’s face, “Jean Draper was
never in the steam cars, or on a ferry-boat in all her life—she has
never been in New York or any where, only to Dunellen, which they call
‘town,’ and she walks there, or rides with her father. She wants to go
somewhere as much as I want to go to boarding-school. It’s the dream
of her life, as boarding-school is my dream.”
“Aunt Affy and Cousin Don will decide about boarding-school. Cousin
Don and I have talked about it, and I will tell Aunt Affy what I think
about it,” her mother decided with an unusual touch of firmness.
“But I wouldn’t leave _you_, mother, for all the boarding-schools
in the world.”
“And I wouldn’t let you for all the schools in the world.”
“Well, it’s only a dream, like Jean Draper’s outing. You like pictures
better than dreams. I think Don’s friend, Roger Kenney, is the
minister in the pulpit; Don said he had preached there almost all
winter, coming home every Tuesday—Monday he visits the people. Don is
sure Bensalem will give him a call. Uncle Cephas likes him so much,
and Uncle Cephas is an elder. Now, here’s another picture: on the same
side of the street as the church, with only the church-yard and the
locust grove between, it is the dear, dainty Queen Anne parsonage—only
two years old, and so new and pretty; Jean Draper went with me through
it—there was nobody there then—and nobody has lived there all this
year; there’s a furnace in the cellar like a city house, and a
bay-window in the study, and a pretty hall with stained-glass windows,
and a cunning kitchen, a cunning sitting-room, and sliding doors into
the parlor, and a piazza in the front, and at the side—and out every
window is the beautiful country. I hope I may go again. Mother, you
like this picture?” she asked earnestly, “that house is another dream
of mine. O, mother,” with a comical little cry, “I’m so full of
dreams, I’m full to bursting.”
Public-domain text, read in full here on John Shaqi.
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