When Isak is gone, the two womenfolk get on nicely together for a
while; they sit for hours talking of this and that. In the evening,
Oline must go out and see how their live stock has grown: cows, a
bull, two calves, and a swarm of sheep and goats. "I don't know where
it'll ever end," says Oline, with her eyes turned heavenwards.
And Oline stays the night.
Next morning she goes off again. Once more she has a bundle of
something with her. Isak is working in the quarry, and she goes
another way round, so that he shall not see.
Two hours later, Oline comes back again, steps into the house, and
asks at once: "Where is Isak?"
Inger is washing up. Oline should have passed by the quarry where
Isak was at work, and the children with him; Inger at once guesses
something wrong.
"Isak? What d'you want with him?"
"Want with him?--why, nothing. Only I didn't see him to say good-bye."
Silence. Oline sits down on a bench without being asked, drops down as
if her legs refuse to carry her. Her manner is intended to show that
something serious is the matter; she is overcome.
Inger can control herself no longer. Her face is all terror and fury
as she says:
"I saw what you sent me by Os-Anders. Ay, 'twas a nice thing to send!"
"Why ... what...?"
"That hare."
"What do you mean?" asks Oline in a strangely gentle voice.
"Ah, don't deny it!" cries Inger, her eyes wild. "I'll break your face
in with this ladle here--see that!"
Struck her? Ay, she did so. Oline took the first blow without falling,
and only cried out: "Mind what you're doing, woman! I know what I know
about you and your doings!" Inger strikes again, gets Oline down to
the floor, falls on her there, and thrusts her knees into her.
"D'you mean to murder me?" asks Oline. The terrible woman with the
hare-lip was kneeling on her, a great strong creature armed with a
huge wooden ladle, heavy as a club. Oline was bruised already, and
bleeding, but still sullenly refusing to cry out. "So you're trying to
murder me _too_!"
"Ay, kill you," says Inger, striking again. "There! I'll see you dead
before I've done with you." She was certain of it now. Oline knew her
secret; nothing mattered now. "I'll spoil your beastly face."
"Beastly face?" gasps Oline. "Huh! Look to your own. With the Lord His
mark on it!"
Oline is hard, and will not give in; Inger is forced to give over
the blows that are exhausting her own strength. But she threatens
still--glares into the other's eyes and swears she has not finished
with her yet. "There's more to come, ay, more, more. Wait till I get a
knife. I'll show you!"
She gets on her feet again, and moves as if to look for a knife, a
table knife. But now her fury is past its worst, and she falls back on
curses and abuse. Oline heaves herself up to the bench again, her face
all blue and yellow, swollen and bleeding; she wipes the hair from
her forehead, straightens her kerchief, and spits; her mouth too is
bruised and swollen.
"You devil!" she says.
Public-domain text, read in full here on John Shaqi.
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