Guatemala and Her People of To-day: Being an Account of the Land, Its History and Development; the People, Their Customs and Characteristics; to Which Are Added Chapters on British Honduras and the Republic of Honduras, with References to the Other Countries of Central America, Salvador, Nicaragua, and Costa Rica — John Shaqi
Guatemala and Her People of To-day: Being an Account of the Land, Its History and Development; the People, Their Customs and Characteristics; to Which Are Added Chapters on British Honduras and the Republic of Honduras, with References to the Other Countries of Central America, Salvador, Nicaragua, and Costa RicaWinter, Nevin O. (Nevin Otto)
History
Guatemala and Her People of To-day: Being an Account of the Land, Its History and Development; the People, Their Customs and Characteristics; to Which Are Added Chapters on British Honduras and the Republic of Honduras, with References to the Other Countries of Central America, Salvador, Nicaragua, and Costa Rica
Winter, Nevin O. (Nevin Otto)
Central America; Guatemala
At night when the band concerts are given the plaza is a good place to
study the people, for all classes turn out in great numbers and parade
around the central portion. The cock-of-the-walk on such occasions is
the student of the military academy who struts around much-bedecked in a
red uniform covered with gold braid, and with his sword invariably
trailing on the ground—much resembling the peacock on dress parade with
his tail feathers fluttering in the breeze. The young dandies are there
with their bamboo sticks, tailor-made clothes and smoking their
abominable cigarettes. A few foreign drummers or _concessionaires_ stalk
around the plaza side by side with the substratum of _ladinos_ in their
shabby attire. A few families may stroll around with their little girls
in stiff little white gloves and their shy, velvety eyes turning this
way and that without a sign of recognition.
The most imposing of all the churches of the city, the Cathedral, and
the same may be said of all Spanish churches, is elaborately ornamented
with carving, giving it a _rococo_, or overdone, effect, but the
proportions are good. It is flanked by two square towers. The entrance
is approached by many steps and is guarded by four colossal saints
supposed to represent the four evangelists. They are not very saintly in
appearance, being carved out of a very rough coarse stone and very much
weather-beaten. There are also several pillars with urns on top, thus
adding a Roman effect. The interior gives a general impression of
roominess with its fine aisles, but the blue and white effect of the
ceiling is not very pleasing, although different from anything I had
ever seen in church decoration. The floor is paved with stone. There is
a large main altar and a number of gilt side altars with the usual
collection of decorated wooden saints. A number of images clad in gauze
and gaily-hued angels with tiaras are placed within the various altars,
while the Virgin wears a fine velvet gown embroidered with gold thread.
The structure is about two hundred and seventy-five feet long. Adjoining
this is the Episcopal Palace, which has on many occasions been the
centre of political intrigue and sedition before the late President
Rufino Barrios curbed the power of the clergy.
[Illustration: TEATRO COLON, GUATEMALA CITY.]
Public-domain text, read in full here on John Shaqi.
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